Practice Studio

The Doors - Break On Through - Guitar Tab

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

About Break On Through


The driving force behind "Break On Through (To the Other Side)" is a tight, repeating barre-chord riff rooted in E minor that locks in with the bossa-nova-influenced rhythm underneath. Playing it convincingly means keeping your strumming hand disciplined: the feel is clipped and percussive rather than loose, so muting between hits is just as important as the chord itself. At 120 BPM in E Standard tuning, the tempo is not brutal, but staying locked in while keeping that staccato attack consistent across the whole track is the real challenge. The verse riff is deceptively simple to learn but surprisingly easy to play sloppily, so use the Practice Toolbar to loop it slowed down until the muted chops feel automatic. The Doors leaned heavily on the organ for melodic content, which means the guitar's job here is rhythmic and textural, a disciplined role that builds genuine right-hand control. Fans of Psychedelic Rock will find this a useful study in how restraint creates groove.

  • The signature riff is a clipped E minor barre-chord figure played with tight palm muting, making right-hand mute control the core technique to practise.
  • The song sits at 120 BPM in E Standard tuning, so no retuning is needed, but the bossa-nova-influenced rhythm demands steady, precise strumming.
  • Because the guitar holds a supporting rhythmic role throughout, focus on locking in with the bass rather than trying to fill melodic space.

How to Play Break On Through

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Robby Krieger used this for Morrison Hotel and L.A. Woman sessions, where its thick PAF humbuckers and warm sustain provided the perfect foundation for his slide work and legato phrasing.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly Krieger's primary choice, the Les Paul Custom shares the warm, fat humbucker character that defined his heavier blues-rock tone on later Doors recordings.

Gibson SG Standard
Guitar

Gibson SG Standard

Krieger switched to this guitar for its smooth humbuckers, offering warmer, fatter tones than his early P-90 SG Special while maintaining clarity against Manzarek's organ.

Gibson ES-335
Guitar

Gibson ES-335

This semi-hollow body gave Krieger a mellow, resonant warmth on various Doors recordings, balancing articulation with vintage character for his fingerpicked lines.

Fender Twin Reverb
Amp

Fender Twin Reverb

Krieger's primary amp throughout The Doors' career, its clean headroom and natural spring reverb provided shimmer and clarity for his fingerstyle attack without forcing distortion.

Fender Deluxe Reverb
Amp

Fender Deluxe Reverb

Used on blues tracks for a warmer, more compressed tone than the Twin, this amp let Krieger achieve darker, moodier textures while maintaining touch sensitivity.