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Jimi Hendrix - The Wind Cries Mary - Guitar Tab

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Jimi Hendrix - The Wind Cries Mary - Guitar Tab

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Jimi Hendrix - The Wind Cries Mary guitar tab video
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Are You Experienced album cover
Are You Experienced
1967 3:21
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Jimi Hendrix Psychedelic Rock 1967 Eb major
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The Wind Cries Mary

"The Wind Cries Mary" is a rock ballad by Jimi Hendrix, released on the landmark 1967 album Are You Experienced. Written as a reconciliatory love song for his London girlfriend Kathy Etchingham, the track stands apart from Hendrix's more aggressive work, showcasing his melodic sensibility and expressive phrasing. For electric guitar players, it is an essential study in lyrical lead playing, chord embellishments, and the subtle use of tone and vibrato that defined Hendrix's signature style.

  • Hendrix wrote the song for his girlfriend Kathy Etchingham after an argument — personal emotion directly shaped its gentle, melodic guitar tone.
  • Some lyrics trace back to poetry Hendrix wrote earlier in Seattle, making the song a rare glimpse into his pre-fame creative writing.
  • The song appeared on Are You Experienced (1967), one of the most influential debut albums in electric guitar history.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
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Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
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Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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