Practice Studio

Jimi Hendrix - The Wind Cries Mary - Guitar Tab

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Key Eb major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Are You Experienced album cover
Are You Experienced
1967 3:21
Capo Advisor 0 Eb major · Original key

About The Wind Cries Mary


At 76 BPM in Eb major, "The Wind Cries Mary" sits at a gentle, unhurried pace that can fool you into underestimating it. The whole song is built around a series of chromatic chord walks, where the chords slide up or down by a half-step to land on the next position. Getting those transitions clean and in time is the real challenge, and the Practice Toolbar is exactly where you want to spend time here, looping each transition slowed down until the movement feels natural under your fingers. The lead fills between vocal phrases demand a light, singing touch rather than any aggressive attack, so right-hand dynamics matter as much as the fretting. Eb Standard tuning means every string sits a half-step lower than concert pitch, which affects the tension and feel of your bends. Jimi Hendrix made this kind of restrained, melodic playing look effortless, but it rewards careful, slow practice before you bring it up to tempo. This is a strong early study in Blues Rock phrasing and chromatic voice leading.

  • The chromatic chord slides that open and connect each verse section are the technical core of the song and require precise left-hand control.
  • Tuning down to Eb Standard lowers string tension slightly, affecting how bends and vibrato feel compared to standard E tuning.
  • The between-phrase lead fills are short but expressive, making clean single-note tone and light vibrato the main technique to practise.

How to Play The Wind Cries Mary

Tuning: Eb Standard · Key: Eb major · Tempo: 82 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. At 82 bpm the slow tempo leaves every note exposed, so timing, vibrato, and dynamics matter more than raw speed.

Loop each section and focus on clean, even timing rather than speed, with the metronome at 82 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)