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Jimi Hendrix - Hey Joe - Guitar Tab

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Jimi Hendrix - Hey Joe - Guitar Tab

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Jimi Hendrix - Hey Joe guitar tab video
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Are You Experienced album cover
Are You Experienced
1967 3:30
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Jimi Hendrix Psychedelic Rock 1967 C major
Capo Advisor 0 C major · Original key

Hey Joe

"Hey Joe" by Jimi Hendrix is one of the most recognized rock standards of the 1960s, built around a descending chord progression that has made it a rite of passage for electric guitarists worldwide. The song's lyrics follow a man fleeing to Mexico after shooting his unfaithful wife, giving it a dark, blues-influenced narrative. Its combination of rhythm chords, expressive lead work, and Hendrix's signature tone makes it an essential and rewarding piece to study on electric guitar.

  • The song was originally written and copyrighted by Billy Roberts in 1962, predating Hendrix's famous recording.
  • "Hey Joe" runs approximately 3 minutes 30 seconds and features a memorable descending chord sequence: E, B, G, D, A.
  • Hundreds of artists have covered "Hey Joe" across multiple genres, cementing its status as a true rock standard.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
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Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
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Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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