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Jimi Hendrix - Little Wing - Guitar Tab

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Jimi Hendrix - Little Wing - Guitar Tab

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Jimi Hendrix - Little Wing guitar tab video
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Axis: Bold As Love album cover
Axis: Bold As Love
1967 2:26
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Jimi Hendrix Psychedelic Rock 1967 Em minor
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Little Wing

"Little Wing" is a slow-tempo rhythm and blues-inspired ballad written and recorded by Jimi Hendrix in 1967. Running just under two and a half minutes, it is one of Hendrix's most concise and melodically focused compositions, built around his expressive vocal and guitar work enhanced by studio effects. For electric guitarists, it is an essential study in lyrical phrasing, chord embellishment, and the ability to make a guitar sing within a compact, carefully arranged structure.

  • Hendrix layers chord melody with single-note runs, making 'Little Wing' a masterclass in combining rhythm and lead guitar simultaneously.
  • The arrangement includes glockenspiel alongside bass and drums, giving the track an unusually delicate texture for an electric guitar-led song.
  • At roughly two minutes and twenty-five seconds, 'Little Wing' proves that melodic economy can be more impactful than extended soloing.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
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Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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