Practice Studio

Jimi Hendrix - Little Wing - Guitar Tab

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100%

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Key Em minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Axis: Bold As Love album cover
Axis: Bold As Love
1967 2:26
Capo Advisor 0 Em minor · Original key

About Little Wing


Few short pieces in the guitar canon pack as much feeling into as little space as "Little Wing." Jimi Hendrix built the song around a flowing chord-melody technique where the thumb frets bass notes on the low strings while the fingers simultaneously pick chord fragments and melodic phrases on the upper strings. That interlocking motion is the real challenge here: your fretting hand has to voice partial chords while your picking hand coordinates melody and bass independently, which is genuinely difficult to keep clean at tempo. The song sits in E minor, giving you a dark, warm foundation, but the chord moves are neither simple triads nor textbook shapes. Pull out the Practice Toolbar to loop and slow down the opening verse figure until the thumb independence clicks. Once the mechanics are in place, the work shifts to dynamics and touch, because playing the notes is only half of it. The phrasing demands restraint, ghost notes, and a very light attack on the high-string melody.

  • The signature chord-melody intro asks your fretting-hand thumb to wrap over and fret bass notes, freeing the fingers for simultaneous upper-string melodies.
  • The song is in E minor, and many of the chord voicings are open or semi-open shapes that ring sympathetically, so clean fretting is critical.
  • Practise the opening figure at half speed using the Practice Toolbar, focusing on thumb-finger independence before adding any vibrato or expressive detail.

How to Play Little Wing

The song moves through: Intro, Verse 1, Verse 2, Solo.

Key: Em minor · Tempo: 115 BPM · Difficulty: Medium

The central challenge of Little Wing is Hendrix's chord-melody technique: he weaves single-note fills and hammer-ons into the chord voicings themselves, so rhythm and lead guitar happen simultaneously rather than taking turns. Begin by learning the intro chord progression in E minor on its own, then isolate the connecting single-note phrases between chord changes before combining them. The hardest part for most players is keeping the chord shapes clean while the thumb simultaneously frets bass notes, so loop the intro slowly and build muscle memory for each hand position shift. A common pitfall is rushing the fills to match the 115 bpm groove before the fingering is solid, which blurs the notes that give the song its singing quality.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 115 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)