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Jimi Hendrix - All Along the Watchtower - Guitar Tab

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Jimi Hendrix - All Along the Watchtower - Guitar Tab

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Jimi Hendrix - All Along the Watchtower guitar tab video
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All Along the Watchtower

"All Along the Watchtower" is Jimi Hendrix's landmark electric guitar rendition of Bob Dylan's 1967 composition, originally written for the album John Wesley Harding. Hendrix transformed the folk-acoustic original into a dense, effects-driven electric arrangement that Dylan himself later acknowledged as definitive. For guitar players, the track is a masterclass in tone, phrasing, and expressive soloing, making it one of the most studied and rewarding songs to learn on electric guitar.

  • Bob Dylan wrote the original, but Hendrix's electric interpretation became so iconic that Dylan adopted elements of it in his own live performances.
  • The song's runtime is approximately four minutes, packing multiple distinct guitar sections, slides, and wah-driven leads into a compact structure.
  • The lyrics centre on a cryptic dialogue between a joker and a thief, with imagery some scholars trace to the Book of Isaiah, Chapter 21.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
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Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
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Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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