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Jimi Hendrix - Purple Haze - Guitar Tab

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Jimi Hendrix - Purple Haze - Guitar Tab

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Key E minor
Jimi Hendrix - Purple Haze guitar tab video
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Are You Experienced album cover
Are You Experienced
1967 2:51
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Jimi Hendrix Psychedelic Rock 1967 E minor
Capo Advisor 0 E minor · Original key

Purple Haze

"Purple Haze" by Jimi Hendrix was released as the second single by the Jimi Hendrix Experience in the United Kingdom in March 1967, later opening the North American edition of their debut album. The track blends blues and Eastern modalities with pioneering sound processing, built around Hendrix's inventive guitar work. It remains one of the most studied songs in electric guitar history, offering players a masterclass in expressive bending, fuzz tone, and unconventional chord voicings.

  • The song features the iconic 'Hendrix chord', a dominant 7♯9, which became a defining sound in rock guitar.
  • Hendrix described 'Purple Haze' as a love song, despite widespread interpretation of the lyrics as a psychedelic reference.
  • The track runs approximately 2 minutes and 50 seconds, packing its guitar innovations into a tight, single-worthy structure.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
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Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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