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Jimi Hendrix - Purple Haze - Guitar Tab

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Key E minor
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Classic Rock

Gain6
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Are You Experienced album cover
Are You Experienced
1967 2:51
Capo Advisor 0 E minor · Original key

About Purple Haze


Few guitar parts announce themselves as immediately as the opening two bars of "Purple Haze." That descending figure built around the tritone interval between E and B-flat sits at the core of the song, and getting it to sound right takes more than just fretting the correct notes. Jimi Hendrix played it with his thumb wrapped over the neck to fret the low E string, a technique that frees the other fingers for the fills and bends that follow. The verse riff is deceptively simple to read but hard to phrase correctly: the rhythmic pushes and ghost notes need to feel loose and slightly behind the beat, not stiff. Working in E minor, the solo draws heavily on the minor pentatonic scale with generous use of finger vibrato and wide bends up to pitch. If the solo transitions or the opening riff feel rushed, use the Practice Toolbar to loop them slowed down until the timing becomes natural.

  • The opening tritone figure (E to B-flat) is the heart of the song and is best learned with the thumb-over-neck fretting technique Hendrix favoured.
  • The verse riff relies on ghost notes and rhythmic pushes that feel stiff if played too precisely, so practise phrasing it loosely.
  • The solo sits in E minor pentatonic and demands controlled wide bends and consistent finger vibrato, both worth isolating with slow loops.

How to Play Purple Haze

The song moves through: Intro, Verse 1, Verse 2, Solo, Interlude 2, Verse 3, Outro.

Key: E minor · Tempo: 114 BPM · Difficulty: Medium

The song is played in Eb Standard tuning, so tune all six strings down a half step before starting. The opening E7#9 'Hendrix chord' is the first hurdle: many players struggle to voice it cleanly while keeping the fuzz tone from turning to mush, so practice that chord in isolation before attempting the full intro riff at 114 bpm. The solo demands expressive string bending and vibrato in the style Hendrix used throughout, so prioritize pitch accuracy in your bends rather than speed. A common pitfall is rushing the main riff; looping just the intro section at reduced speed will help lock in the syncopated feel before bringing it up to tempo.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 114 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)