Practice Studio

The Doors - People Are Strange - Guitar Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About People Are Strange


Robby Krieger's guitar work on "People Are Strange" is deceptively simple on paper but has a wiry, slightly unsettled feel that takes some care to nail. The song sits in E Standard tuning at 96 BPM, and the signature guitar figure leans on a sparse, staccato melodic line that needs to feel clipped and dry rather than smooth. Getting that tense, off-kilter quality means paying close attention to your right-hand muting and how you release each note. The Doors built the arrangement around keyboards as the harmonic foundation, so the guitar cuts through by staying rhythmically tight rather than busy. If the main riff feels slippery at tempo, use the Practice Toolbar to loop it slowed down until the picking and muting become automatic. This is a great song for studying how a guitarist shapes tone and attack within a Psychedelic Rock context where restraint does more work than speed.

  • The guitar part relies heavily on right-hand muting to give the riff its clipped, tense character, so clean pick attack is more important than speed.
  • Played in E Standard tuning at 96 BPM, the moderate tempo means rhythmic precision and note release are easily exposed if sloppy.
  • Because keyboards carry the harmonic weight of the arrangement, the guitar needs to lock in tightly with the rhythm rather than fill space.

How to Play People Are Strange

Tuning: E Standard · Tempo: 96 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 96 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Robby Krieger used this for Morrison Hotel and L.A. Woman sessions, where its thick PAF humbuckers and warm sustain provided the perfect foundation for his slide work and legato phrasing.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly Krieger's primary choice, the Les Paul Custom shares the warm, fat humbucker character that defined his heavier blues-rock tone on later Doors recordings.

Gibson SG Standard
Guitar

Gibson SG Standard

Krieger switched to this guitar for its smooth humbuckers, offering warmer, fatter tones than his early P-90 SG Special while maintaining clarity against Manzarek's organ.

Gibson ES-335
Guitar

Gibson ES-335

This semi-hollow body gave Krieger a mellow, resonant warmth on various Doors recordings, balancing articulation with vintage character for his fingerpicked lines.

Fender Twin Reverb
Amp

Fender Twin Reverb

Krieger's primary amp throughout The Doors' career, its clean headroom and natural spring reverb provided shimmer and clarity for his fingerstyle attack without forcing distortion.

Fender Deluxe Reverb
Amp

Fender Deluxe Reverb

Used on blues tracks for a warmer, more compressed tone than the Twin, this amp let Krieger achieve darker, moodier textures while maintaining touch sensitivity.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)