Practice Studio

Slayer - Raining Blood Pt.2 - Chords/Rhythms - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Slayer Thrash Metal E minor
Capo Advisor 0 E minor · Original key

About Raining Blood Pt.2 - Chords/Rhythms


Few songs in Thrash Metal demand as much rhythmic precision as "Raining Blood," and this chords and rhythms arrangement puts that demand front and center. The song is built on tight, palm-muted riffing in E minor, where the picking hand does most of the heavy work. Staying locked to the groove while keeping the mutes clean is the real challenge here, not the fretting hand. Slayer co-writers Jeff Hanneman and Kerry King layered rhythm parts that feel brutal partly because of how controlled and precise the attack is underneath the noise. The transitions between the open-string chug sections and the chord stabs are where most players slip up, so isolate those moments in the Practice Toolbar and run them slowed down before trying to connect everything at full tempo. Getting the right amount of pick aggression without losing definition in the lower strings is the tone puzzle this song keeps asking you to solve.

  • The rhythm parts rely heavily on palm-muted downpicking in E minor, so building right-hand stamina is essential before attempting full-speed runs.
  • Chord stab timing is critical throughout: even small hesitations between the chug sections and accented hits will make the groove fall apart.
  • Using the Practice Toolbar to loop the transitional passages at reduced speed helps lock in the pick-hand precision this arrangement requires.

How to Play Raining Blood Pt.2 - Chords/Rhythms

Key: E minor

Use the section loop to isolate a passage and drop the speed to build each section up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Kerry King and Jeff Hanneman relied on the JCM800's raw, scooped-mid aggression cranked to extreme volumes to achieve Slayer's signature saturated tone without overdrive pedals. The amp's natural power tube saturation is essential to their pure, unprocessed rhythm and lead attacks.

EMG 81
Pickup

EMG 81

The EMG 81's high-output, compressed tone with cutting highs delivers the tight, aggressive attack that defines Slayer's palm-muted riffs and solos. Its hot signal keeps the cranked Marshall in full saturation while eliminating noise at extreme gain levels.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Kerry King uses the Cry Baby wah as his only regular effect pedal, adding expressive chaos and intensity to his trademark chaotic solos over otherwise unprocessed, pure Marshall saturation.

DigiTech Whammy
Pedal

DigiTech Whammy

Not part of Slayer's core tone. King's whammy effects come from intentionally detuning non-locking tremolo systems on his B.C. Rich guitars, not digital pedal-based pitch shifting.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)