Practice Studio

Slayer - South of Heaven - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Slayer Thrash Metal E minor
Capo Advisor 0 E minor · Original key

About South of Heaven


Compared to the relentless pace of their earlier work, "South of Heaven" sees Slayer drop into a slower, heavier groove that puts a different kind of pressure on your picking hand. The song opens with a clean, arpeggiated guitar intro that demands careful finger placement and controlled dynamics before the full band explodes in. Playing in Eb Standard at 120 BPM, the riffs sit in E minor and carry a dark, churning quality that comes from tight palm muting held consistently through each downstroke. The mid-tempo feel is deceptive: keeping that mute locked and your picking even throughout the verse riffs is harder than it sounds when the tempo has this much space in it. The lead work requires attention to phrasing and vibrato, so use the Practice Toolbar to loop those sections slowed down until the articulation is clean. This is a great song for building the kind of pick control and muting discipline that Thrash Metal rhythm playing depends on.

  • The song is played in Eb Standard tuning, dropping every string a half step and giving the riffs a thicker, darker resonance than standard E.
  • The opening clean arpeggiated intro is a key section to isolate and practise slowly, as precise finger placement and even volume between notes are both required.
  • At 120 BPM the mid-tempo palm-muted riffs demand consistent right-hand muting discipline, since the slower pace exposes any inconsistency in your technique.

How to Play South of Heaven

Tuning: Eb Standard · Key: E minor · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Kerry King and Jeff Hanneman relied on the JCM800's raw, scooped-mid aggression cranked to extreme volumes to achieve Slayer's signature saturated tone without overdrive pedals. The amp's natural power tube saturation is essential to their pure, unprocessed rhythm and lead attacks.

EMG 81
Pickup

EMG 81

The EMG 81's high-output, compressed tone with cutting highs delivers the tight, aggressive attack that defines Slayer's palm-muted riffs and solos. Its hot signal keeps the cranked Marshall in full saturation while eliminating noise at extreme gain levels.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Kerry King uses the Cry Baby wah as his only regular effect pedal, adding expressive chaos and intensity to his trademark chaotic solos over otherwise unprocessed, pure Marshall saturation.

DigiTech Whammy
Pedal

DigiTech Whammy

Not part of Slayer's core tone. King's whammy effects come from intentionally detuning non-locking tremolo systems on his B.C. Rich guitars, not digital pedal-based pitch shifting.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)