Practice Studio

Slayer - Delusions of Saviour - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Slayer Thrash Metal E minor
Capo Advisor 0 E minor · Original key

About Delusions of Saviour


At 190 BPM in D Standard tuning, "Delusions of Saviour" is an instrumental interlude that sits in E minor and functions as a brief classical guitar piece within Slayer's catalog. That context alone makes it one of the more unusual things to work up from the band's output. The clean fingerpicking demands precise right-hand control and a light touch that is a genuine contrast to the aggressive picking technique the rest of their material builds. Because the tempo is brisk and the melody needs to sing clearly, even small hesitations between notes become obvious. Use the Practice Toolbar to loop the melodic phrase slowed down until each note rings cleanly before you bring it back up to full speed. D Standard drops every string a whole step, so if you are not already tracking in that tuning, take a moment to settle your ear to it. This is a worthwhile exercise in Thrash Metal context precisely because clean tone leaves nowhere to hide.

  • The piece is played fingerstyle on clean guitar, making right-hand accuracy and note clarity the central technical challenge.
  • D Standard tuning lowers every string a whole step, so fretted shapes sit one fret higher than their standard-tuning equivalents.
  • At 190 BPM the melodic phrases move quickly, so looping it slowed down is the most practical way to lock in the picking pattern.

How to Play Delusions of Saviour

Tuning: D Standard · Key: E minor · Tempo: 190 BPM

Tuned a whole step down to D standard, the lower string tension makes bends feel looser, so keep an eye on your intonation. At 190 bpm it moves fast, so the real test is building picking stamina and keeping every note clean at speed.

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 190 BPM.

Marshall JCM800
Amp

Marshall JCM800

Kerry King and Jeff Hanneman relied on the JCM800's raw, scooped-mid aggression cranked to extreme volumes to achieve Slayer's signature saturated tone without overdrive pedals. The amp's natural power tube saturation is essential to their pure, unprocessed rhythm and lead attacks.

EMG 81
Pickup

EMG 81

The EMG 81's high-output, compressed tone with cutting highs delivers the tight, aggressive attack that defines Slayer's palm-muted riffs and solos. Its hot signal keeps the cranked Marshall in full saturation while eliminating noise at extreme gain levels.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Kerry King uses the Cry Baby wah as his only regular effect pedal, adding expressive chaos and intensity to his trademark chaotic solos over otherwise unprocessed, pure Marshall saturation.

DigiTech Whammy
Pedal

DigiTech Whammy

Not part of Slayer's core tone. King's whammy effects come from intentionally detuning non-locking tremolo systems on his B.C. Rich guitars, not digital pedal-based pitch shifting.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)