Practice Studio

Slayer - Raining Blood - Guitar Lesson

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100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Slayer Thrash Metal E minor
Capo Advisor 0 E minor · Original key

About Raining Blood


Few songs in Thrash Metal demand as much from a rhythm guitarist as this one. Written by Jeff Hanneman and Kerry King, "Raining Blood" is built on relentless downpicked riffs played at 214 BPM in Eb Standard tuning, which drops tension just enough to let you dig in hard without the strings fighting back. The opening tremolo-picked figure sets the tone immediately, and the main riff requires strict alternate or downpicking stamina that will expose any weakness in your right hand very quickly. The track sits in E minor, giving the riffs a dark, compressed feel that rewards tight palm muting. Getting the transitions between the slower, dissonant intro and the full-speed riff sections clean is probably the steepest challenge here. Use the Practice Toolbar to loop those transitions slowed down until your picking hand stays locked and your muting stays consistent. Slayer set a benchmark for precision at extreme tempos, and this song is where that precision is tested most.

  • At 214 BPM in Eb Standard tuning, the main riff demands exceptional right-hand endurance, as most players use strict downpicking to match the original tone.
  • The opening section features a slower tremolo-picked figure that must transition cleanly into the full-speed riff, making the join between sections a key practice target.
  • Palm muting control is critical throughout: uneven pressure at this tempo causes the riff to lose its tight, percussive attack almost immediately.

How to Play Raining Blood

Tuning: Eb Standard · Key: E minor · Tempo: 214 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. At 214 bpm it moves fast, so the real test is building picking stamina and keeping every note clean at speed.

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 214 BPM.

Marshall JCM800
Amp

Marshall JCM800

Kerry King and Jeff Hanneman relied on the JCM800's raw, scooped-mid aggression cranked to extreme volumes to achieve Slayer's signature saturated tone without overdrive pedals. The amp's natural power tube saturation is essential to their pure, unprocessed rhythm and lead attacks.

EMG 81
Pickup

EMG 81

The EMG 81's high-output, compressed tone with cutting highs delivers the tight, aggressive attack that defines Slayer's palm-muted riffs and solos. Its hot signal keeps the cranked Marshall in full saturation while eliminating noise at extreme gain levels.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Kerry King uses the Cry Baby wah as his only regular effect pedal, adding expressive chaos and intensity to his trademark chaotic solos over otherwise unprocessed, pure Marshall saturation.

DigiTech Whammy
Pedal

DigiTech Whammy

Not part of Slayer's core tone. King's whammy effects come from intentionally detuning non-locking tremolo systems on his B.C. Rich guitars, not digital pedal-based pitch shifting.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)