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Slayer - Seasons in the Abyss - Guitar Lesson

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Slayer - Seasons in the Abyss - Guitar Lesson

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Slayer - Seasons in the Abyss guitar lesson video
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Slayer Thrash Metal E minor
Capo Advisor 0 E minor · Original key

Seasons in the Abyss

"Seasons in the Abyss" is a track by American thrash metal band Slayer, appearing on their 1990 album of the same name, released through Def American Records. The album marked the final recording with original drummer Dave Lombardo before his long absence from the band. Sitting at the intersection of Slayer's aggressive thrash style and the slightly more measured approach heard on South of Heaven, the song offers guitarists a compelling study in riff construction, palm-muted picking, and the signature dual-guitar interplay of Kerry King and Jeff Hanneman.

  • The album was recorded across three Los Angeles studios between March and June 1990, giving the production a notably polished thrash sound.
  • Dave Lombardo's drumming on this record is a key reference point for understanding how rhythm guitar parts lock into a thrash metal groove.
  • The album's style bridges Reign in Blood's speed and South of Heaven's slower tempos, useful context when interpreting the song's riff dynamics.
Marshall JCM800
Amp

Marshall JCM800

Kerry King and Jeff Hanneman relied on the JCM800's raw, scooped-mid aggression cranked to extreme volumes to achieve Slayer's signature saturated tone without overdrive pedals. The amp's natural power tube saturation is essential to their pure, unprocessed rhythm and lead attacks.

EMG 81
Pickup

EMG 81

The EMG 81's high-output, compressed tone with cutting highs delivers the tight, aggressive attack that defines Slayer's palm-muted riffs and solos. Its hot signal keeps the cranked Marshall in full saturation while eliminating noise at extreme gain levels.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Kerry King uses the Cry Baby wah as his only regular effect pedal, adding expressive chaos and intensity to his trademark chaotic solos over otherwise unprocessed, pure Marshall saturation.

DigiTech Whammy
Pedal

DigiTech Whammy

Not part of Slayer's core tone. King's whammy effects come from intentionally detuning non-locking tremolo systems on his B.C. Rich guitars, not digital pedal-based pitch shifting.

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