Practice Studio

Slayer - Seasons in the Abyss - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Slayer Thrash Metal E minor
Capo Advisor 0 E minor · Original key

About Seasons in the Abyss


Few Thrash Metal songs sit as comfortably at a mid-tempo groove as "Seasons in the Abyss." At 120 BPM in Eb Standard tuning, the song feels deceptively approachable until you dig into the picking demands. The main riff is built on tight, palm-muted low-E chugging with precise rhythmic accents that punish any sloppy right-hand technique. Getting that locked-in, mechanical feel requires your pick attack and muting pressure to stay completely consistent, which is harder than it sounds when the riff runs long. The lead work calls for controlled vibrato and accurate bends in E minor, so intonation in Eb Standard matters. If the fast unison bend passages are giving you trouble, use the Practice Toolbar to loop them slowed down until the motion feels natural. Slayer wrote a song here that rewards patience: clean fundamentals at this tempo will expose weaknesses that higher-speed thrash lets you hide.

  • The song is in Eb Standard tuning, so drop all six strings one half-step before playing along with the recording.
  • Palm-muted, single-string riffing at 120 BPM forms the backbone, making consistent right-hand muting the core technique to nail.
  • The guitar solos sit in E minor and demand controlled vibrato and accurate string bends, making them a useful target for slow practice.

How to Play Seasons in the Abyss

Tuning: Eb Standard · Key: E minor · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Kerry King and Jeff Hanneman relied on the JCM800's raw, scooped-mid aggression cranked to extreme volumes to achieve Slayer's signature saturated tone without overdrive pedals. The amp's natural power tube saturation is essential to their pure, unprocessed rhythm and lead attacks.

EMG 81
Pickup

EMG 81

The EMG 81's high-output, compressed tone with cutting highs delivers the tight, aggressive attack that defines Slayer's palm-muted riffs and solos. Its hot signal keeps the cranked Marshall in full saturation while eliminating noise at extreme gain levels.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Kerry King uses the Cry Baby wah as his only regular effect pedal, adding expressive chaos and intensity to his trademark chaotic solos over otherwise unprocessed, pure Marshall saturation.

DigiTech Whammy
Pedal

DigiTech Whammy

Not part of Slayer's core tone. King's whammy effects come from intentionally detuning non-locking tremolo systems on his B.C. Rich guitars, not digital pedal-based pitch shifting.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)