Practice Studio

Jimi Hendrix - Voodoo Child - Guitar Tab

Sections · Loop · Speed · Metronome

Not in tune?

SECTIONS

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

About Voodoo Child


Few tracks put wah-wah technique front and centre as bluntly as "Voodoo Child." The opening riff, built on a slow, loping feel in E minor, is almost entirely about how you work the wah pedal in sync with your picking attack. Getting that locked-in, vocal quality means the pedal sweep and the pick have to hit together, and most players rush it at first. The song sits at 96 BPM, which feels deceptively relaxed until you realise how much space you have to fill with phrasing and dynamics. Jimi Hendrix tuned down a half step to Eb Standard, so match that tuning before you start or every bend will feel wrong and sound wrong. The Blues Rock vocabulary here leans heavily on pentatonic runs with aggressive vibrato and wide bends that need real left-hand strength to execute cleanly. Use the Practice Toolbar to loop the intro riff slowed down and focus on locking the wah sweep to your pick stroke before bringing it back up to tempo.

  • The entire song is played in Eb Standard tuning, a half step down from standard, so retuning before practice is essential.
  • The signature wah-wah riff in E minor requires precise coordination between your picking attack and pedal sweep to get the correct vocal tone.
  • Wide string bends and heavy vibrato throughout demand strong left-hand technique, making finger conditioning a worthwhile focus before tackling this song.

How to Play Voodoo Child

The song moves through: Intro, Inst. Break, Verse, Pre-Chorus, Chorus, Solo 1, Interlude, Bridge, Solo 2, Outro.

Tuning: Eb Standard · Key: E minor · Tempo: 96 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. The arrangement runs through 10 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 96 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.