Jimi Hendrix - Voodoo Child - Guitar Tab

Practice Studio

Jimi Hendrix - Voodoo Child - Guitar Tab

Sections · Loop · Speed · Metronome

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Speed Control

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Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

Voodoo Child


"Backing Track -" by Voodoo Child offers electric guitarists an open canvas for improvisation and skill development. Backing tracks are a staple tool for guitarists looking to practice soloing, phrasing, and tone shaping in a musical context. This track provides a structured harmonic environment to explore ideas without a full band, making it a practical resource for players at various levels.

  • Backing tracks let guitarists practice soloing and phrasing in a real musical context, building improvisational confidence over time.
  • Playing over a backing track helps train your ear for chord changes and develop a stronger sense of timing and groove.
  • Voodoo Child is associated with a raw, blues-influenced style, making this a fitting backdrop for expressive electric guitar work.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.