Stevie Ray Vaughan - Pride and Joy - Guitar Tab

Practice Studio

Stevie Ray Vaughan - Pride and Joy - Guitar Tab

Sections · Loop · Speed · Metronome

Not in tune?

SECTIONS

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E major
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E major · Original key

Pride and Joy


"Pride and Joy" is a blues rock track by Stevie Ray Vaughan and Double Trouble, released as his debut single in 1983 on the album Texas Flood. Rooted in Texas blues, the song showcases Vaughan's signature rhythm and lead guitar interplay, making it a staple study piece for electric guitarists. Its driving shuffle groove, expressive string bends, and dynamic phrasing offer players a solid entry point into the Texas blues style.

  • The song's chord structure is built on a shuffle blues pattern, an essential rhythm feel every electric guitarist should master.
  • "Pride and Joy" was adapted from Johnny Acey's 1962 recording "I Go Into Orbit," showing how blues musicians reshape earlier material.
  • Released on Texas Flood in 1983, this debut single immediately established Vaughan as a major force in electric blues guitar.
Fender Stratocaster
Guitar

Fender Stratocaster

SRV's heavily worn '63 'Number One' with thick .013-.058 strings and responsive single-coils defined his expressive, dynamic tone. The guitar's worn frets and responsive pickups let him control saturation purely through picking attack and volume knob, a cornerstone of his finger-driven style.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

SRV used the TS9 as a clean boost with minimal drive, maxing the level to push his cranked tube amps into heavier saturation while adding midrange focus. This approach preserved his dynamic control and kept the tone transparent, letting his fingers shape every nuance of sustain and breakup.