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The Jimi Hendrix Experience - Red House - Guitar Tab

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The Jimi Hendrix Experience - Red House - Guitar Tab

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The Jimi Hendrix Experience - Red House guitar tab video
Steph Le Gratteux
Steph Le Gratteux Top Contributor
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The Jimi Hendrix Experience Blues Rock B minor
Capo Advisor 0 B minor · Original key

Red House

"Red House" by The Jimi Hendrix Experience is a classic slow blues that stands as one of Hendrix's most celebrated guitar showcases. Rooted in traditional 12-bar blues structure, the song gives electric guitar players a masterclass in expressive bending, vibrato, and improvisational phrasing. It remains an essential study piece for anyone looking to develop blues technique and understand how Hendrix fused raw emotion with technical brilliance.

  • "Red House" is built on a 12-bar blues progression, making it approachable for intermediate players while still deeply rewarding to master.
  • Hendrix's lead work on this track is a prime example of his signature use of thumb-over-neck chord grips and fluid string bends.
  • The song is a go-to reference for learning how to phrase melodically within a blues framework rather than simply running scales.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's upside-down 1968 Olympic White Strat defined his sound with reversed single-coils that warmed his bridge pickup while maintaining the clarity needed for his rhythmic chord work and feedback-drenched leads. The reversed headstock's scale length imbalance subtly affected string tension, contributing to his signature tone when cranked through Marshalls.

Gibson Flying V
Guitar

Gibson Flying V

Hendrix occasionally wielded the Gibson Flying V for its aggressive aesthetic and slightly different tonal character, though the Strat remained his primary instrument for the versatility and harmonic richness that matched his revolutionary playing style.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The 100-watt Marshall 1959 plexi head, pushed to saturation with treble and presence maxed, generated Hendrix's iconic fuzzy overdrive and controlled feedback that made his guitar sing like a horn, especially crucial for his live sound across multiple stacked cabinets.

Fender Twin Reverb
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Fender Twin Reverb

In the studio, Hendrix used the Fender Twin Reverb's clean headroom and lush reverb to layer cleaner tones and provide contrast to his Marshall-driven tracks, allowing him to sculpt psychedelic textures impossible with pure plexi saturation.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby wah became Hendrix's expressive voice, manipulated mid-phrase to create wailing vocal-like effects that defined songs like 'Voodoo Child,' giving him an interactive tool as important as any note-playing technique.

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