Practice Studio

Eric Clapton - I Shot the Sheriff - Guitar Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key G minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

461 Ocean Blvd. (Deluxe Edition) album cover
461 Ocean Blvd. (Deluxe Edition)
1974 4:24
Capo Advisor 0 G minor · Original key

About I Shot the Sheriff


Originally written by Bob Marley, this cover became one of the defining moments in Eric Clapton's mid-1970s output, and it pulls the song firmly into Blues Rock territory while keeping the reggae skeleton underneath. Playing it convincingly means respecting that reggae feel: the guitar parts sit behind the beat, with a choppy, damped upstroke rhythm that guitar players rooted in rock tend to rush. At 94 BPM in G minor on standard tuning, the tempo feels relaxed, but locking into that laid-back pocket is harder than it looks. The chord work is mostly open and barre shapes, but the real challenge is keeping your strumming loose and syncopated without losing the groove. Use the Practice Toolbar to loop the rhythm section slowed down until your right hand stops anticipating the beat. Once the feel is solid, the lead fills Clapton weaves in will sit naturally over the top.

  • The rhythm guitar demands a reggae-style damped upstroke chop, a technique that rock-trained players often need to isolate and practise separately.
  • The song is in G minor on standard tuning at 94 BPM, giving it a relaxed feel that rewards playing slightly behind the beat.
  • Clapton's lead fills are relatively sparse, so any note you add stands out clearly, making clean intonation and vibrato control important.

How to Play I Shot the Sheriff

Tuning: E Standard · Key: G minor · Tempo: 94 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 94 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Clapton's primary instrument from the 1970s onward, his signature Strat features Vintage Noiseless pickups and an active mid-boost circuit that pushes clean Fender amps into controlled breakup, delivering his trademark smooth yet slightly gritty tone.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

The 'Beano' Les Paul with original PAF humbuckers paired with a cranked Marshall JTM45 created Clapton's legendary creamy, sustaining overdrive that defined the Bluesbreakers era and established his blues-rock foundation.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While less documented than the Standard, Clapton's occasional use of this model maintained the thick PAF humbucker character essential to his early power-blues tone during his transitional years.

Gibson SG Standard
Guitar

Gibson SG Standard

Clapton's SG with PAF humbuckers and a cranked Marshall during Cream produced his searing, sustain-rich lead tone that became iconic for psychedelic blues-rock soloing and feedback exploration.

Gibson ES-335
Guitar

Gibson ES-335

The semi-hollow ES-335 with Derek and the Dominos gave Clapton a warmer, more articulate midrange response ideal for the soulful, slightly compressed tone heard on 'Layla' and bluesy slide work.

Fender Twin Reverb
Amp

Fender Twin Reverb

From the mid-1970s onward, Clapton's shift to the Twin Reverb running relatively clean allowed his Strat's mid-boost circuit to drive natural amp breakup, creating his refined blues tone without heavy overdrive pedals.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)