Practice Studio

Jimi Hendrix - Red House - Guitar Tab

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Key B minor
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Classic Rock

Gain6
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Mid7
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Are You Experienced album cover
Are You Experienced
1967 3:50
Capo Advisor 0 B minor · Original key

About Red House


Few songs teach you more about blues guitar in one sitting than "Red House." The slow, swaggering feel at 96 BPM in B minor gives you plenty of space to work on every detail, and that space is exactly what makes the song demanding. Jimi Hendrix builds the track around a slow blues-rock 12-bar framework, but what sets it apart is how he weaves lead vocabulary directly into the rhythm parts, bending, hammering, and releasing in a way that blurs the line between comping and soloing. In E Standard tuning, everything sits in an approachable range, yet the string bends in the upper positions need to be controlled and in tune, which is harder than it looks at tempo. The turnaround lick at the end of each 12-bar cycle is one of the best things to isolate: use the Practice Toolbar to loop it slowed down until the phrasing feels natural in your fingers before you bring it back up to speed. Getting the behind-the-beat phrasing right is ultimately the real challenge here.

  • The signature opening lick is a slow-bend phrase in B minor, played in E Standard tuning, and it sets the behind-the-beat feel the whole song depends on.
  • Controlling intonation on wide string bends in the upper register is the core technical challenge, so practising each bend in isolation is time well spent.
  • The turnaround lick recurs every 12 bars and combines hammer-ons, pull-offs, and a position shift, making it one of the most instructive short phrases in blues-rock guitar.

How to Play Red House

The song moves through: Intro, Verse 1, Verse 2, Guitar Solo, Verse 3.

Tuning: E Standard · Key: B minor · Tempo: 96 BPM · Difficulty: Medium

The main challenge here is not the chord changes themselves but executing Hendrix's vocal, conversational phrasing within the B minor blues box, particularly his wide, expressive string bends and subtle vibrato that define the feel of this track. Begin by locking in the slow 84 bpm shuffle feel and the turnaround figure before tackling the extended guitar solo, which is where most players struggle to maintain that loose, unhurried quality. A common pitfall is over-playing the solo by cramming in too many notes; Hendrix leaves deliberate space between phrases, and matching that restraint is harder than it sounds. Use the section loop on the solo to isolate short phrases and internalize the pacing rather than running the whole thing at once.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 96 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)