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Jimi Hendrix - Voodoo Child - Guitar Tab

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100%

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Key E minor
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Electric Ladyland album cover
Electric Ladyland
1968 5:13
Capo Advisor 0 E minor · Original key

About Voodoo Child


Few tracks demand as much from a guitarist's hands and ears as "Voodoo Child" from Electric Ladyland. The song lives in Eb Standard tuning, which drops every string a half step and gives the whole thing a looser, slightly darker feel under your fingers. The key of E minor keeps you rooted to familiar pentatonic shapes, but the real challenge is capturing Jimi Hendrix's wah-driven phrasing: the notes themselves are not always difficult, but the timing, the vibrato, and the thumb-over-the-neck grip he used to fret bass notes while soloing are a different matter entirely. At 96 BPM the groove is medium-slow, which sounds forgiving until you realise every note sits under a microscope. That tempo actually makes sloppy bends and uneven vibrato more obvious, not less. Isolate the opening wah riff with the Practice Toolbar, loop it slowed down, and focus on matching the swell of the wah pedal to each note's attack before you worry about speed. This is one of the defining recordings in Blues Rock, and the guitar work rewards patient, detail-oriented practice.

  • The song is played in Eb Standard tuning, so tune every string down a half step before you start or your bends and unison reference points will all feel off.
  • Hendrix's signature wah-pedal riff opens the track, and controlling the wah sweep in time with the phrase is the central technique to master here.
  • The medium-slow tempo of 96 BPM puts your vibrato and string bending accuracy on full display, making clean execution more important than speed.

How to Play Voodoo Child

The song moves through: Intro, Inst. Break, Verse, Pre-Chorus, Chorus, Solo 1, Interlude, Bridge, Solo 2, Outro.

Tuning: Eb Standard · Key: E minor · Tempo: 96 BPM · Difficulty: Medium

The intro and main riff are built around a wah-pedal-driven E minor blues figure, and coordinating the wah sweep with your picking hand while holding the riff together is the central challenge here. Learn the riff clean and in time first, then add the wah once your fretting hand is comfortable, because trying to manage both simultaneously too early usually causes the phrasing to fall apart. The solos lean heavily on blues pentatonic bends in the E minor pentatonic position, so accurate intonation on those bends matters more than speed. Use the section loop on the Inst. Break and Solo 1 passages, since those sections contain the densest concentration of Hendrix's characteristic techniques.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 96 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)