Practice Studio

Jimi Hendrix - Foxy Lady - Guitar Tab

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Speed Control

Speed
100%

Tools

BPM
Key F# minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Are You Experienced album cover
Are You Experienced
1967 3:19
Capo Advisor 0 F# minor · Original key

About Foxy Lady


Few opening riffs in Blues Rock are as immediately recognisable as the one that kicks off "Foxy Lady." It centres on a fuzz-drenched F# power chord with a slow, menacing build before the main groove locks in, and getting that growl right is almost entirely about your fuzz or overdrive settings and how hard you dig in with your pick. Jimi Hendrix played in Eb Standard tuning, so drop every string down a half step before you start, otherwise nothing will sit right against a recording. The tempo sits at 128 BPM, which feels comfortable until you try to keep the rhythmic chug tight while also managing the lead fills that punctuate each verse. Those fills demand clean left-hand muting so the spaces between notes stay quiet. Use the Practice Toolbar to loop any of those fill passages slowed down, building up the pick-hand control before bringing it back to full speed.

  • The song is played in Eb Standard tuning, so tune every string down a half step before attempting to play along with the original recording.
  • The signature intro riff relies heavily on fuzz tone and pick attack, so experiment with your gain and picking pressure to capture the right growl.
  • The verse rhythm combines chord stabs with single-note fills, making left-hand muting technique one of the most important things to practise in this song.

How to Play Foxy Lady

The song moves through: Intro, Verse, Chorus, Interlude, Solo, Outro.

Tuning: Eb Standard · Key: F# minor · Tempo: 128 BPM · Difficulty: Medium

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. The arrangement runs through 6 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 128 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)