Practice Studio

Paul McCartney - Maybe I'm Amazed - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key Bb major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Paul McCartney Pop Rock Bb major
Capo Advisor 0 Bb major · Original key

About Maybe I'm Amazed


Few songs in the Pop Rock catalogue demand as much raw feeling from a guitarist as this one. Paul McCartney built "Maybe I'm Amazed" around a piano foundation, but the guitar work that surrounds it, particularly the gritty, blues-inflected lead fills, is what gives the song its emotional weight. Playing in Bb major at 120 BPM means you are moving at a confident, driving pace, and the chord shapes require comfortable movement between some less common barre positions if you are staying true to the original key. The lead fills sit in a bluesy pentatonic zone, but the phrasing is specific: behind-the-beat and vocal in character rather than flashy. Getting that phrasing right is the real challenge, so use the Practice Toolbar to loop those fill passages slowed down until the timing feels natural before bringing it back up to full speed. Rhythm playing here rewards a strong, purposeful strumming hand more than any complex technique.

  • The song sits in Bb major, meaning many of its chord shapes fall on less common barre positions, making clean fretting and smooth transitions the main physical challenge.
  • The lead guitar fills are blues-pentatonic in approach, phrased in a behind-the-beat, vocal style that requires careful attention to timing and touch.
  • E Standard tuning is used throughout, so no retuning is needed, but the rhythm part rewards a firm, consistent strumming attack to keep the driving feel intact.

How to Play Maybe I'm Amazed

Tuning: E Standard · Key: Bb major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

McCartney used the Les Paul Standard for studio overdubs and as a secondary electric alongside his Epiphone Casino. Its thick humbucker tone provided contrast to the Casino's midrange P-90 growl, adding tonal variety to layered Beatles arrangements.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While less documented than the Standard, the Les Paul Custom's refined appointments fit McCartney's studio precision ethic. Its thick, saturated humbucker voice complemented his minimalist effects approach by delivering natural sustain and harmonic richness.

Vox AC30
Amp

Vox AC30

The Vox AC30's chimey Top Boost circuit shaped McCartney's iconic Beatles tone, delivering compressed breakup and harmonic shimmer perfect for his melodic guitar lines. This amp's natural sag and responsiveness defined the jangly, warm electric sound across classic Beatles recordings.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)