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The Beatles - Here Comes The Sun - Verse, Chorus & Turnaround - Guitar Lesson

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The Beatles - Here Comes The Sun - Verse, Chorus & Turnaround - Guitar Lesson

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The Beatles - Here Comes The Sun - Verse, Chorus & Turnaround guitar lesson video
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Here Comes The Sun - Verse, Chorus & Turnaround

"Here Comes The Sun" by The Beatles is one of the most recognized acoustic-driven songs in rock history, written by George Harrison. Learning its verse, chorus, and turnaround sections gives electric guitar players a thorough understanding of how Harrison balanced melodic fingerpicking with chord movement. The song's clear sectional structure, verse, chorus, and a distinctive turnaround, makes it an excellent study piece for guitarists exploring song form and expressive, melodic playing.

  • George Harrison wrote this song, making it a key study in his melodic, chord-melody style of guitar playing.
  • The turnaround section is particularly valuable to learn, as it demonstrates how a short phrase can link song sections smoothly.
  • Understanding verse-chorus-turnaround structure helps guitarists apply the same framework to writing and arranging their own songs.
Fender Stratocaster
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Fender Stratocaster

George Harrison's sonic blue 1961 Stratocaster delivered the ice-pick treble leads on Rubber Soul sessions, its standard Fender single-coils cutting through the mix with brilliant clarity. The Strat's bright tone contrasted beautifully with the warm Filter'Trons of his Gretsch guitars, expanding The Beatles' textural range.

Fender Telecaster
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Fender Telecaster

Harrison's rosewood Telecaster provided twangy, biting cleans during the iconic 1969 rooftop concert, its simplicity and directness fitting The Beatles' stripped-down live approach. The Tele's sharp attack complemented the Vox AC30, delivering punchy midrange definition without the need for studio processing.

Vox AC30
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Vox AC30

The Vox AC30 with top-boost was the sonic foundation of The Beatles' signature chime, delivering harmonically rich cleans with natural compression when pushed at moderate volume. Close-miked in Abbey Road studios from 1962 through 1965, it captured clarity and presence that defined their recorded tone without excessive breakup.

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