Practice Studio

The Smashing Pumpkins - 1979 - - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Mellon Collie and the Infinite Sadness (Deluxe Edition) album cover
Mellon Collie and the Infinite Sadness (Deluxe Edition)
1995 4:26
Capo Advisor 0 E major · Original key

About 1979 -


"1979" sits in a different corner of The Smashing Pumpkins' catalog, built more on texture and atmosphere than on the distorted crunch the band is usually associated with. The guitar work here is clean and lightly processed, sitting under a shimmering, loop-driven production bed. Playing it well means resisting the urge to dig in too hard: a light pick attack and consistent dynamics matter more than technical fireworks. The chord shapes in E major are not especially demanding, but keeping the feel loose and slightly behind the beat is where most players stumble. If the rhythm feel is giving you trouble, use the Practice Toolbar to loop a few bars slowed down until the pocket feels natural. The song rewards patience with the right touch rather than speed or complexity, making it a solid study in restrained, feel-first guitar playing.

  • The guitar tone is clean and lightly effected, so small inconsistencies in pick attack and dynamics are immediately audible.
  • Playing in E major keeps the chord shapes open and accessible, but nailing the relaxed, slightly laid-back rhythmic feel is the real challenge.
  • Use the Practice Toolbar to loop the main rhythm section slowed down and focus on keeping your strumming hand relaxed and even.

How to Play 1979 -

Tuning: E Standard · Key: E major · Tempo: 127 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 127 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Billy Corgan's primary weapon, particularly his late-'70s hardtail model with stock single-coils that create the Pumpkins' signature scooped, fizzy fuzz tone when slammed into a Big Muff. The single-coil bridge pickup delivers that aggressive high-end sizzle and cutting sustain central to their distorted sound.

Fender Telecaster
Guitar

Fender Telecaster

James Iha's go-to rhythm guitar, providing bright, cutting tones that complement Corgan's Strat-based layers and add definition to the band's wall-of-sound approach without sacrificing the clarity needed in their dense arrangements.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Corgan used Les Pauls with stock PAF-style humbuckers for warmer, thicker lead tones that contrast with his Strat's fizz, allowing him to shift between aggressive rhythm fuzz and fat, sustaining solos throughout the Pumpkins' catalog.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

A variation of Corgan's Les Paul arsenal, the Custom offered similar warm humbucker character for lead work while its thicker body resonance provided deeper low-end support for the band's heavier passages on later recordings.

Gibson ES-335
Guitar

Gibson ES-335

Corgan deployed this semi-hollow body for textured, slightly more organic tones that provided sonic variety beyond his Strat and Les Paul, particularly useful for cleaner, more nuanced passages that needed definition without harsh high-end artifacts.

Marshall JCM800
Amp

Marshall JCM800

The core of Corgan's distortion tone, cranked to the edge of breakup and pushed harder by his Big Muff pedal, the JCM800's natural tube compression and high-volume sustain became synonymous with the Pumpkins' crushing wall-of-sound aesthetic.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)