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Led Zeppelin - Whole Lotta...METAL - Guitar Cover

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Led Zeppelin - Whole Lotta...METAL guitar cover video
Kfir Ochaion
Kfir Ochaion Top Contributor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Led Zeppelin Hard Rock

About Whole Lotta...METAL

Few riffs in Hard Rock hit as hard as the one that opens this track. Built on a repeated, syncopated guitar figure, it demands a firm pick attack and tight palm muting to get that thunderous, compressed feel. The challenge is not just the notes but the groove: the riff sits slightly behind the beat, and rushing it kills the weight entirely. Getting the right-hand rhythm locked in is the real work here. Once you have the core pattern under your fingers, focus on the transitions between sections, where the dynamic shifts can catch you off guard. Use the Practice Toolbar to loop those transition bars slowed down until the timing feels natural rather than forced. Led Zeppelin built this track around raw, physical guitar playing, so tone and attack matter as much as accuracy. A slightly overdriven amp with presence will get you close to the sound.

  • The signature riff relies on syncopation and a behind-the-beat feel, so locking in your right-hand rhythm before worrying about speed is essential.
  • Palm muting control is critical: too much and the riff loses its punch, too little and the groove falls apart.
  • Practicing the dynamic shifts between sections slowed down with the Practice Toolbar will help you nail the transitions cleanly.
Fender Telecaster
Guitar

Fender Telecaster

Jimmy Page's 1958 Telecaster (gifted by Jeff Beck) delivered the bright, spanky single-coil attack that defined Led Zeppelin I's raw, bluesy edge. Its snappy treble cut through the mix on early tracks before Page switched to the warmer Les Paul for the band's heavier sound.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Page's 1959 Les Paul Standard with PAF humbuckers became the sonic backbone of Led Zeppelin from 1969 onward, its warm mahogany body and dynamic unpotted pickups creating the sustain-rich, touch-sensitive tone heard on 'Whole Lotta Love' and 'Black Dog.'

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While Page primarily used the Les Paul Standard, a Custom's thicker body and tonal characteristics would complement his dynamic playing style, offering similar warmth with potentially enhanced bottom-end punch for Zeppelin's heavier arrangements.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead Plexi was Page's primary amplifier from Led Zeppelin II onward, cranked past 7 for natural power-tube saturation and natural breakup that responded dynamically to his pick attack and volume knob control.

Vox AC30
Amp

Vox AC30

Page deployed the Vox AC30 in the studio for cleaner, chiming tones and layering textures that added dimension to Led Zeppelin's arrangements, offering a vintage British tone that complemented the Marshall's aggression.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Page's Vox Cry Baby wah became iconic on 'Dazed and Confused,' its expressive sweep adding vocal-like character to his lead work throughout Led Zeppelin's catalog, integral to the band's psychedelic and blues-rock textures.

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