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Led Zeppelin - All My Love - Guitar Lesson

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Led Zeppelin - All My Love - Guitar Lesson

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Led Zeppelin - All My Love guitar lesson video
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In Through the out Door (Remaster) album cover
In Through the out Door (Remaster)
1979 5:54
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Led Zeppelin Rock 1979 A major
Capo Advisor 0 A major · Original key

All My Love

"All My Love" is a rock ballad by Led Zeppelin, appearing as the sixth track on their eighth studio album In Through the Out Door (1979). Written by Robert Plant and John Paul Jones as a tribute to Plant's son Karac, who died during the band's 1977 North American tour, the song leans heavily on Jones's synthesizer work rather than guitar. For electric guitarists, it offers an opportunity to study restrained, melodic playing within a keyboard-driven arrangement, highlighting how to complement rather than dominate a mix.

  • Unlike most Zeppelin tracks, this song is dominated by a synthesizer solo from John Paul Jones, not a Jimmy Page guitar lead.
  • The song was co-written by Robert Plant and John Paul Jones, one of the few Zeppelin tracks without a Page writing credit.
  • It appears on In Through the Out Door (1979), Led Zeppelin's final studio album before John Bonham's death in 1980.
Fender Telecaster
Guitar

Fender Telecaster

Jimmy Page's 1958 Telecaster (gifted by Jeff Beck) delivered the bright, spanky single-coil attack that defined Led Zeppelin I's raw, bluesy edge. Its snappy treble cut through the mix on early tracks before Page switched to the warmer Les Paul for the band's heavier sound.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Page's 1959 Les Paul Standard with PAF humbuckers became the sonic backbone of Led Zeppelin from 1969 onward, its warm mahogany body and dynamic unpotted pickups creating the sustain-rich, touch-sensitive tone heard on 'Whole Lotta Love' and 'Black Dog.'

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While Page primarily used the Les Paul Standard, a Custom's thicker body and tonal characteristics would complement his dynamic playing style, offering similar warmth with potentially enhanced bottom-end punch for Zeppelin's heavier arrangements.

Marshall Plexi (1959 Super Lead)
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Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead Plexi was Page's primary amplifier from Led Zeppelin II onward, cranked past 7 for natural power-tube saturation and natural breakup that responded dynamically to his pick attack and volume knob control.

Vox AC30
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Vox AC30

Page deployed the Vox AC30 in the studio for cleaner, chiming tones and layering textures that added dimension to Led Zeppelin's arrangements, offering a vintage British tone that complemented the Marshall's aggression.

Dunlop Cry Baby Wah
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Dunlop Cry Baby Wah

Page's Vox Cry Baby wah became iconic on 'Dazed and Confused,' its expressive sweep adding vocal-like character to his lead work throughout Led Zeppelin's catalog, integral to the band's psychedelic and blues-rock textures.

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