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Guns N' Roses - November Rain - Guitar Tab

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Key C major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Use Your Illusion I album cover
Use Your Illusion I
1991 8:56
Capo Advisor 0 C major · Original key

About November Rain


Few rock ballads demand as much from a guitarist as "November Rain." The song moves through long, sweeping passages that require clean chord work and careful dynamic control, shifting from quiet, piano-accompanied verses to enormous, crunching power-chord swells. The two guitar solos are the real test: the first is lyrical and restrained, leaning on smooth legato phrasing, while the second, the outdoor outro solo, is one of the most celebrated extended rock solos in the genre and asks for precise bending, vibrato, and stamina. Playing it in C major keeps the key guitar-friendly, but nailing the feel, that slow, unhurried quality behind the beat, is harder than the notes themselves. If you are working through the outro solo, use the Practice Toolbar to loop any four-bar phrase slowed down before you try it at full tempo. Guns N' Roses built the arrangement in layers, so learning each section separately before connecting them is well worth your time.

  • The outro solo is an extended, multi-phrase run requiring strong vibrato and precise string bending, best learned in short looped sections at reduced speed.
  • The song is in C major, which suits open-position chord voicings, though the full arrangement leans on both acoustic and electric guitar parts.
  • Clean picking discipline matters throughout the quieter verses, where any sloppy fretting or picking is clearly audible against the sparse backing.

How to Play November Rain

The song moves through: Piano Intro, Guitar Interlude, Verse, Chorus, Refrain, Bridge, Solo 1, Solo 2, Interlude, Outro (Pre-solo), Solo 3.

Key: C major · Tempo: 66 BPM · Difficulty: Medium

The three solo sections are the heart of this song for guitarists, and they differ significantly in character: Solo 1 is melodic and restrained, Solo 2 builds intensity, and Solo 3 (the outdoor church outro) is Slash's most dramatic and wide-interval phrasing of the piece. The slow tempo of 66 bpm in E Standard actually works against beginners, because every held note and vibrato is exposed. The most common pitfall is rushing the bends and vibrato in Solo 1, trying to fill the space rather than letting phrases breathe. Loop each solo section individually before connecting them, paying close attention to how Slash controls sustain and dynamics within that unhurried pace.

Loop each section and focus on clean, even timing rather than speed, with the metronome at 66 BPM.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Slash's weapon of choice, particularly late-'50s specs with mahogany bodies that deliver the thick, singing tone heard throughout 'Appetite for Destruction.' The Les Paul's weight and sustain complement his cranked Marshall, allowing solos to bloom with harmonic richness.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Offering a slightly different tonal character with a thinner body profile, the Custom gives Slash an alternative voice while maintaining the Les Paul's core warmth and sustain essential to his signature lead sound.

Marshall JCM800
Amp

Marshall JCM800

The split-channel JCM 800 2205 defines Slash's crunch, delivering natural tube saturation and midrange presence without artificial scooping, crucial for maintaining clarity in heavily driven passages.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Modified 1959 Super Lead amps pushed hard created the iconic raw power and harmonic distortion of 'Appetite for Destruction,' with power tube breakup that shaped GNR's raw, blues-rooted rock sound.

Seymour Duncan Alnico II Pro
Pickup

Seymour Duncan Alnico II Pro

These lower-output Alnico II humbuckers retain dynamic expressiveness even when the Marshall is cranked, producing a warm, slightly soft attack that makes Slash's tone creamy rather than harsh.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Slash's signature SW-95 wah adds vocal expression to solos like 'Civil War' and 'Estranged,' staying true to his minimalist pedalboard philosophy where tone comes primarily from guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)