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AC/DC - Thunderstruck Pt.1 - Intro - Guitar Lesson

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Key E major
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Classic Rock

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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1990 E major
Capo Advisor 0 E major · Original key

About Thunderstruck Pt.1 - Intro


Few guitar intros are as immediately recognisable as the one on "Thunderstruck" by AC/DC. The whole thing is built on a single-string tapped and hammered figure in E major that runs almost continuously for well over a minute before the band even kicks in. What makes it tricky is not the individual notes but the stamina and consistency it demands: your fretting hand hammers-on repeatedly across the same pattern at speed, and any hesitation or uneven pressure shows up immediately. Keep your fretting fingers close to the fretboard and focus on getting an even volume on every note, because fluffed hammer-ons stand out badly on a clean or lightly overdriven tone. Use the Practice Toolbar to loop the intro slowed down, building up the repeating sequence in small chunks before adding tempo. Once you can play through it cleanly at reduced speed, gradually raise the tempo until it sits right.

  • The intro relies almost entirely on a hammer-on sequence played on a single string, making clean fretting-hand technique and finger stamina the main challenges.
  • A light to moderate overdrive tone works best here, as heavy gain will mask sloppy hammer-ons and prevent you from hearing where your technique needs work.
  • The figure repeats with very little variation for an extended stretch, so building endurance in your fretting hand is just as important as learning the pattern itself.

How to Play Thunderstruck Pt.1 - Intro

Key: E major · Tempo: 134 BPM

The Thunderstruck intro is built almost entirely on a single-string run up and down the B string, and the main challenge is sustaining clean, even note separation at 134 bpm across what feels like an endlessly repeated pattern. Most players use a combination of hammer-ons and pull-offs rather than pure alternate picking to execute it at full speed, so nail the fretting-hand articulation first before worrying about right-hand synchronization. A common pitfall is rushing the pattern as the band gradually enters behind it; the tension of the intro depends on rhythmic steadiness, so use the metronome and loop the run from the beginning until each note rings with equal volume. Build speed incrementally, since sloppy notes at tempo are harder to unlearn than a slower, clean foundation.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 134 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.