Practice Studio

UFO - Love to Love - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key C minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

UFO Hard Rock C minor
Capo Advisor 0 C minor · Original key

About Love to Love


Few ballad-paced hard rock tracks demand as much patience and precision from a lead guitarist as "Love to Love." Written in C minor and sitting at a steady 120 BPM in standard E tuning, the song builds slowly and puts the melodic lead work front and centre. Michael Schenker's guitar playing here is all about sustain, phrasing, and knowing when to leave space. The challenge is not speed but control: holding a bent note in tune, shaping the volume swell of a phrase, and landing vibrato that feels vocal rather than mechanical. If you are working on Schenker's signature lead lines, use the Practice Toolbar to loop each phrase slowed down so you can hear exactly where the vibrato starts and how long each bend is held. UFO leaned heavily into this dramatic, layered approach to Hard Rock, and this track is one of the clearest examples of how much expression a single guitar line can carry when the tempo gives it room to breathe.

  • The song is in C minor at 120 BPM in standard E tuning, giving Schenker's lead lines a wide, unhurried space to develop melodically.
  • Controlled vibrato and precise string bending are the core techniques to master here, far more than any fast picking or complex chord work.
  • Looping the main lead phrases slowed down in the Practice Toolbar is the most effective way to internalize the phrasing and sustain choices.

How to Play Love to Love

Tuning: E Standard · Key: C minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Paul Chapman wielded this guitar after replacing Schenker, using its stock humbuckers to create a thicker, heavier tone that distinguished UFO's later era sound. The Les Paul's weight and sustain complemented Chapman's more aggressive approach compared to Schenker's finesse-based playing style.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While less documented than Chapman's Standards, the Les Paul Custom offered similar thick humbucker tones and premium construction for UFO's heavier material, maintaining the dense, powerful sound Chapman brought to the band.

Gibson Flying V
Guitar

Gibson Flying V

Michael Schenker's iconic stripped natural-wood and later black-and-white split-finish Flying Vs became UFO's visual and sonic signature, with PAF-style humbuckers delivering the touch-sensitive, singing lead tones that defined his expressive playing style.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Schenker's primary effect for crafting UFO's soaring lead passages, the Cry Baby wah allowed expressive control over his Marshall's warm breakup, turning simple solos into dramatic vocal-like statements as heard in live classics like 'Rock Bottom.'