Practice Studio

AC/DC - Thunderstruck - Guitar Cover

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Key B major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1990 B major
Capo Advisor 0 B major · Original key

About Thunderstruck


Few rock songs ask so much of a guitarist right from bar one. The opening of "Thunderstruck" is built on a single-note, two-finger tapping sequence that runs almost continuously before the full band enters, and getting it clean at full speed is the real challenge here. The pattern sits in B major and demands precise left-hand hammer-ons and pull-offs coordinated with a right-hand tap, so even players who have done some tapping will find the stamina side of it demanding at performance tempo. Use the Practice Toolbar to loop that intro passage slowed right down, focusing on even volume across every note before you push the speed back up. Once the band kicks in, the rhythm guitar work from AC/DC is classic tight, palm-muted chugging that rewards a firm pick grip and a locked, consistent strumming motion from the elbow. Getting the two sides of the song, the tapping intro and the driving rhythm, to feel equally controlled is what actually takes time here.

  • The signature intro relies on a tapping technique using hammer-ons and pull-offs, essentially a two-finger tap pattern sustained for a long opening stretch.
  • Rhythmic palm-muted chugging in B major drives the main riff, so right-hand consistency and pick attack control are key things to lock in.
  • Looping the intro slowed down is the most effective way to build the stamina and accuracy the tapping sequence demands before attempting full speed.

How to Play Thunderstruck

Key: B major · Tempo: 134 BPM · Difficulty: Medium

The intro is the centerpiece challenge: it is a rapid hammer-on and pull-off sequence running almost entirely on the B string, played at 134 bpm, and many learners initially struggle to keep every note even and clean rather than letting weaker fingers drop out. Isolate that intro pattern using the section loop and bring the speed down until each note speaks clearly before pushing the tempo. Once you move into the body of the song, the rhythm guitar shifts to driving power chords in B, so treat them as two distinct technical challenges rather than blending your practice. A common pitfall is rushing the transition from the intro riff into the first verse, so mark that join as its own loop point until the handoff feels automatic.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 134 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

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Play with Backing Track

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