Practice Studio

AC/DC - Highway to Hell - Guitar Tab

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Key A major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1979 A major
Capo Advisor 0 A major · Original key

About Highway to Hell


Few riffs in rock are as immediately recognisable as the opening of "Highway to Hell," and learning it is one of the most rewarding things a rhythm guitarist can do. The core groove sits in A major and revolves around a handful of open-position and barre chords, but what makes it feel right is the attitude in the strumming: a locked-in, behind-the-beat swagger that takes real attention to nail. Angus Young's lead fills between verses are deceptively simple, built from the minor pentatonic scale over a major-key progression, so getting them to sit in the pocket matters more than pure speed. The chord transitions, especially moving cleanly between the A, D, and G shapes at tempo, are where beginners tend to slip. Use the Practice Toolbar to loop those transitions slowed down until the changes feel automatic before bringing them back up to full speed. AC/DC kept the arrangement stripped back, which means every sloppy note is exposed, so clean execution is the real challenge here.

  • The signature riff is built on open-position A, D, and G chords, making it approachable for intermediate players but demanding in terms of rhythmic tightness.
  • Angus Young's lead guitar fills use minor pentatonic phrases over the major-key progression, a classic technique worth isolating and practising slowly.
  • Because the arrangement is deliberately sparse, right-hand rhythm accuracy and consistent pick attack are more important than any single left-hand technique.

How to Play Highway to Hell

The song moves through: Intro/Verse, Chorus, Verse, Solo, Chorus (Solo Fills), Outro Chorus, Going Down.

Tuning: Eb Standard · Key: A major · Tempo: 116 BPM · Difficulty: Medium

The main challenge here is not the chord shapes themselves but locking in the groove: at 116 bpm in E Standard, the rhythm guitar needs a confident, slightly swung feel with precise muting between hits, and sloppy palm muting is the most common pitfall beginners face. Learn the intro riff first since it establishes the A, D, and G power-chord sequence that drives the entire song, then move to the chorus where the same shapes are played with more open attack. The solo is relatively short and sits in A pentatonic, but nailing Angus Young's bends and vibrato in character takes focused repetition. Use the section loop on the intro riff at reduced speed to lock in your right-hand muting before pushing up to full tempo.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 116 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)