Practice Studio

AC/DC - Back In Black Pt.1 - All Riffs - Guitar Lesson

Sections · Loop · Speed · Metronome

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Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock E minor
Capo Advisor 0 E minor · Original key

About Back In Black Pt.1 - All Riffs


Few rock songs demand as much from a rhythm guitarist's right hand as "Back in Black." The whole track is built on Malcolm Young's chunky, palm-muted downstroke riffing, and getting that locked-in, punchy feel is harder than it looks. Every riff lives in E minor, which keeps the open low E string central to the sound, so the fret hand work is relatively approachable while the picking hand is where the real discipline lives. The challenge is keeping the palm mute consistent and the dynamics even across all the riff variations, especially as the song moves between the muted verses and the more open, ringing hits. Use the Practice Toolbar to loop each riff section slowed down until your right-hand pressure and timing are solid before bringing it back up to tempo. AC/DC built this track around repetition and groove, so locking in the feel matters far more than speed.

  • The core riffs rely heavily on palm-muted downstrokes, so developing consistent right-hand pressure and rhythmic accuracy is the main challenge.
  • All riffs sit in E minor, making the open low E string a frequent anchor and keeping most shapes in the lower positions of the neck.
  • Working through each riff variation individually with the Practice Toolbar looped and slowed down will help you nail the subtle differences between sections.

How to Play Back In Black Pt.1 - All Riffs

Key: E minor · Tempo: 94 BPM

The main riff in E minor is built on a signature E power chord followed by a syncopated melodic figure on the lower strings, and nailing the timing of that rhythmic pause before the riff kicks back in is where most beginners stumble. Angus Young plays the riff with a palm-muted, percussive attack, so focus on keeping your picking hand relaxed while maintaining consistent muting pressure. At 94 bpm, the groove is moderate enough to isolate each section of the riff individually before chaining them together. Use the loop tool on the turnaround figure, as that transition is the trickiest spot to execute cleanly at tempo.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 94 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)