Practice Studio

Wasp - Hold On To My Heart - Guitar Solo Tab

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
·
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· Tap to start

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Wasp Hard Rock E minor
Capo Advisor 0 E minor · Original key

About Hold On To My Heart


Sitting in E minor at a steady 120 BPM, "Hold On To My Heart" gives you a solid entry point into the melodic side of Wasp and their take on Hard Rock. E Standard tuning means nothing exotic to set up, so you can focus entirely on the feel and phrasing. The moderate tempo rewards players who pay attention to dynamics, particularly the balance between clean picking attack and the sustain that a slower ballad-leaning hard rock track demands. Watch your vibrato on held notes, that is where the emotional weight lives in a song like this. The chord transitions may feel comfortable at first pass, but keeping them smooth and even across the full song is where most players slip. Use the Practice Toolbar to loop any troublesome changes slowed down until the muscle memory is locked in before bringing it back up to 120 BPM.

  • Playing in E minor on E Standard tuning keeps the open strings available as natural resonant drones, which adds warmth to chord voicings throughout the song.
  • At 120 BPM the tempo is moderate, giving you room to focus on clean fretting and even pick attack rather than pure speed.
  • Held notes and sustained chords are central to the feel, so practise your vibrato and left-hand control to keep the tone from going flat and lifeless.

How to Play Hold On To My Heart

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Chris Holmes drove Marshall JCM800 heads with high gain and scooped mids to create W.A.S.P.'s signature aggressive 1980s metal tone with natural tube saturation. The cranked Marshall became the foundation of their raw, cutting sound on tracks like 'Animal (Fuck Like a Beast)'.

Seymour Duncan JB
Pickup

Seymour Duncan JB

The Seymour Duncan JB's hot output in W.A.S.P.'s bridge position pushes the Marshall into heavy saturation while maintaining clarity for palm-muted chugging and cutting lead lines. This high-output humbucker was essential for achieving the band's powerful, articulate metal tone throughout their catalog.