Practice Studio

Van Halen - Runnin' with the Devil - Guitar Tab

Sections · Loop · Speed · Metronome

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Speed Control

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100%

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Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Van Halen Hard Rock E minor
Capo Advisor 0 E minor · Original key

About Runnin' with the Devil


Few opening riffs in rock guitar are as immediately recognizable as the one kicking off this Van Halen track. The signature part is built around a driving, palm-muted power-chord figure in E minor, and getting the right amount of palm-mute pressure is what separates a muddy attempt from the real thing. Eddie Van Halen's rhythm playing here is deceptively tight: the groove sits right in the pocket and any looseness in your pick attack will show up immediately. Work through the chord changes slowly at first, focusing on clean transitions and consistent muting, then use the Practice Toolbar to loop the main riff slowed down until the motion feels automatic. The lead fills woven between verses are great targets for beginners to intermediate players because they stay close to the E minor pentatonic box but still require confident string control. Once the rhythm is locked in, add the fills gradually rather than trying to learn everything at once.

  • The main riff relies on palm-muted power chords in E minor, so precise right-hand muting pressure is the core technique to develop.
  • Eddie Van Halen's rhythm part stays tight and percussive throughout, making consistent pick attack and tempo control the real challenge for practice.
  • The lead fills between verses sit comfortably within the E minor pentatonic scale, making them a practical target for players building soloing confidence.

How to Play Runnin' with the Devil

The song moves through: Intro, Verse, Chorus, Interlude, Solo, Outro.

Key: E minor · Tempo: 146 BPM · Difficulty: Medium

The arrangement runs through 6 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 146 BPM to build it up to tempo.

Gibson ES-335
Guitar

Gibson ES-335

Eddie Van Halen pulled a Gibson PAF humbucker from a ES-335 to load his original Frankenstrat, giving him a low-output pickup that maintained clarity during lightning-fast tapping and legato runs despite heavy gain.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Eddie's 1968 Marshall Plexi Super Lead, run through a variac at 90 volts, created his legendary 'brown sound' by pushing power tubes into sweet, spongy saturation at gig volumes, defining his harmonic sustain and responsiveness.

Soldano SLO-100
Amp

Soldano SLO-100

Eddie adopted the Soldano SLO-100 as a tonal alternative to Marshalls, delivering the high-headroom, articulate gain he needed for his finger-tapping technique while maintaining clarity in complex legato passages.

Peavey 5150
Amp

Peavey 5150

Eddie co-designed the Peavey 5150 to capture his signature tone in a modern platform, offering three channels from clean sparkle to crushing high-gain with EL34 power tubes for dynamic responsiveness across his entire playing vocabulary.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Eddie employed the Dunlop Cry Baby wah strategically on select solos, using it to add vocal-like expression and sweep to his lead lines without relying heavily on effect-driven tones.

MXR Phase 90
Pedal

MXR Phase 90

Eddie's MXR Phase 90 script-logo version created his signature swirling, vocal sweep on 'Eruption' and 'Ain't Talkin' 'Bout Love,' becoming one of rock's most identifiable effect tones through minimal, tasteful use.