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Guns N' Roses - Welcome to the Jungle - Guitar Tab

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Key E minor
Guns N' Roses - Welcome to the Jungle guitar tab video
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Appetite For Destruction album cover
Appetite For Destruction
1987 4:33
Listen on Spotify
Guns N' Roses Hard Rock 1987 E minor
Capo Advisor 0 E minor · Original key

About Welcome to the Jungle

Few riffs in rock are more immediately recognisable than the opening slide-and-bend figure that kicks off this Guns N' Roses track. Slash plays it in E minor, starting with a slow, slithering whole-step bend on the low strings before the full band crashes in, and nailing that lazy, predatory feel is the first real challenge. Once the verse groove arrives, the focus shifts to tight palm-muted power chords driven with attitude rather than raw speed, so your pick attack and muting control matter more than technique alone. The solo section is where things get genuinely demanding: Slash layers expressive bends, vibrato, and fast pentatonic runs, and rushing any of it kills the feel. Use the Practice Toolbar to isolate the solo phrases at a reduced speed so you can match his phrasing and vibrato before bringing the tempo back up. The rhythm work throughout the song rewards a guitarist who listens closely to the pocket.

  • The opening riff is built around a slow string bend and slide figure in E minor, designed to be played with deliberate, loose feel rather than precision speed.
  • Rhythm guitar throughout relies heavily on palm-muted power chords, making right-hand muting control one of the most important skills to practise here.
  • The lead solo demands strong bend intonation and controlled vibrato in the pentatonic minor scale, both of which are worth isolating at slow speed.

How to Play Welcome to the Jungle

The song moves through: Intro, Verse, Chorus, Solo, Bridge 1, Bridge 2, Outro.

Key: E minor · Tempo: 123 BPM · Difficulty: Medium

The song is in Eb standard tuning at 123 bpm, and the opening intro riff is the first real hurdle: it begins with a slow, palm-muted slide into the main figure, so nail that controlled attack before worrying about the faster verse riffing. The chorus and verse sections use distinct rhythmic feels, and players often rush the transition between them, so looping those joints at reduced speed will expose any sloppiness in right-hand muting. Slash's solo is the hardest section by far, combining fast pentatonic runs with expressive bends that demand accurate intonation in the lower Eb tuning. Resist the urge to skip the bridge sections, as the dynamic shifts there are as important to the song's feel as any single riff.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 123 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Slash's weapon of choice, particularly late-'50s specs with mahogany bodies that deliver the thick, singing tone heard throughout 'Appetite for Destruction.' The Les Paul's weight and sustain complement his cranked Marshall, allowing solos to bloom with harmonic richness.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Offering a slightly different tonal character with a thinner body profile, the Custom gives Slash an alternative voice while maintaining the Les Paul's core warmth and sustain essential to his signature lead sound.

Marshall JCM800
Amp

Marshall JCM800

The split-channel JCM 800 2205 defines Slash's crunch, delivering natural tube saturation and midrange presence without artificial scooping, crucial for maintaining clarity in heavily driven passages.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Modified 1959 Super Lead amps pushed hard created the iconic raw power and harmonic distortion of 'Appetite for Destruction,' with power tube breakup that shaped GNR's raw, blues-rooted rock sound.

Seymour Duncan Alnico II Pro
Pickup

Seymour Duncan Alnico II Pro

These lower-output Alnico II humbuckers retain dynamic expressiveness even when the Marshall is cranked, producing a warm, slightly soft attack that makes Slash's tone creamy rather than harsh.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Slash's signature SW-95 wah adds vocal expression to solos like 'Civil War' and 'Estranged,' staying true to his minimalist pedalboard philosophy where tone comes primarily from guitar and amp interaction.

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