Practice Studio

Deep Purple - Smoke on the Water - Guitar Tab

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Key G minor
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Classic Rock

Gain6
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Machine Head album cover
Machine Head
1972 5:42
Capo Advisor 0 G minor · Original key

About Smoke on the Water


Few riffs in rock history are as immediately recognizable as the four-note sequence that opens "Smoke on the Water," and learning it correctly is the first real test for any guitarist picking it up. The riff is built on parallel perfect fourths played on the D and G strings, which gives it that thick, slightly ambiguous quality. Many beginners instinctively reach for power chords on the low E and A strings, so getting the actual string positioning right is worth slowing down and drilling carefully. The song sits in G minor, and once you move past the main riff, the verse and solo sections demand a solid feel for the minor pentatonic scale in that key. Deep Purple play the whole track at a moderate, deliberate tempo, which means every note in the riff needs to land clean rather than being covered by speed. Use the Practice Toolbar to loop the riff slowed down until the string choice and pick attack feel completely natural before bringing it back up to tempo.

  • The signature riff uses parallel perfect fourths on the D and G strings, not power chords on the low strings as many beginners assume.
  • The song is in G minor, making it a practical entry point for learning minor pentatonic phrases in that position on the neck.
  • Clean pick attack matters throughout because the moderate tempo leaves no room to hide sloppy string contact on the main riff.

How to Play Smoke on the Water

The song moves through: Intro, Verse, Chorus, Main Riff, Solo, Outro.

Key: G minor · Tempo: 114 BPM · Difficulty: Medium

The core challenge here is executing those parallel perfect-fourth dyads cleanly at 114 bpm in G minor: the shapes are moveable, but many beginners accidentally let adjacent strings ring or mute the wrong strings. Practice the main riff with deliberate right-hand muting before worrying about speed. The solo demands string bending and vibrato control in a bluesy minor-pentatonic context, so loop that section specifically if the bends feel imprecise. A common pitfall is rushing the riff's signature pause; keep a strict internal pulse so the space between phrases lands exactly where it should.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 114 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

The most iconic electric guitar ever made. Its three single-coil pickups, contoured body and versatile tone make it the go-to for blues, rock, funk and everything in between. Players from Hendrix to Gilmour to Clapton built their sound on it.

Marshall JCM800
Amp

Marshall JCM800

The definitive rock amp of the 1980s. The JCM800's single-channel, all-tube design produces a natural, harmonically rich overdrive at high volumes. Every hard rock and metal guitar sound from that era ran through one of these.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The most recognised wah pedal on the planet. The Cry Baby's vocal frequency sweep gave Hendrix, Clapton and Kirk Hammett their signature lead voices. Rock, funk, metal - no pedalboard is complete without one.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)