Practice Studio

Aerosmith - One Way Street Joe Perry - Guitar Solo Tab

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About One Way Street Joe Perry


Joe Perry's work on "One Way Street" from Aerosmith's 1974 debut captures the raw, loose feel that defined the band's early sound. The track sits in E Standard tuning at 120 BPM, which gives you a comfortable tempo to work with, but don't let that fool you: the real challenge is nailing Perry's bluesy phrasing and the behind-the-beat swagger he brings to every lick. This is Hard Rock built on a blues backbone, so your bends and vibrato need to feel lived-in rather than clean and precise. Focus on letting notes breathe and resist the urge to rush the phrasing. Aerosmith tracks from this era reward players who spend time with the feel as much as the notes. Use the Practice Toolbar to loop any of the lead passages slowed down so you can absorb exactly how Perry shapes each phrase before bringing it up to full speed.

  • The song is in E Standard tuning, meaning no retuning is needed, making it a straightforward setup for players jumping straight into the riff.
  • At 120 BPM the tempo is moderate, but accurate blues-style string bending and loose, behind-the-beat phrasing are the real technical demands here.
  • Practising the lead passages slowed down using the Practice Toolbar will help you internalize the phrasing nuances before committing to full speed.

How to Play One Way Street Joe Perry

The song moves through: Intro, Full speed, 50% speed.

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Joe Perry uses a late-1950s Strat for cleaner, snappier tones on tracks like 'Walk This Way', providing brighter single-coil bite that contrasts with his heavier Les Paul work. The Strat's tonal versatility lets him achieve crisp rhythm parts and articulate lead passages without the thick humbucker warmth.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Perry's 1959 Les Paul Standard, his 'Holy Grail' guitar, delivers the thick, singing sustain and natural harmonic bloom central to Aerosmith's classic rock sound. Its PAF humbuckers respond beautifully to his expressive bending and vibrato technique, especially through cranked Marshalls.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Perry's Custom Shop Les Paul reissues replicate his vintage instrument's tone with modern reliability, maintaining the smooth, responsive humbucker character that lets his playing dynamics shine through. These guitars are essential for capturing his signature fat lead tone on stage and in the studio.

Gibson ES-335
Guitar

Gibson ES-335

Brad Whitford's semi-hollow ES-335 provides warm, compressed breakup with enhanced midrange that cuts through Aerosmith's thick dual-guitar arrangements. The semi-hollow body's natural resonance adds depth to his rhythm playing when paired with his Marshall and Mesa/Boogie stack.

Marshall JCM800
Amp

Marshall JCM800

Joe Perry's modified JCM800 has been his core amp for decades, delivering natural tube saturation at high volume with a presence-peaked treble that defines Aerosmith's aggressive, sustaining lead tone. The amp's responsiveness to his volume knob control and pickup selection is crucial to his expressive playing approach.

Fender Twin Reverb
Amp

Fender Twin Reverb

Perry uses the Fender Twin Reverb for cleaner studio tones and textures, providing headroom and natural reverb that balances the JCM800's darker aggression. The Twin's clarity preserves his picking precision and note articulation for rhythm parts and cleaner passages.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)