Practice Studio

AC/DC - T.N.T. - Guitar Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key E major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1976 E major
Capo Advisor 0 E major · Original key

About T.N.T.


Few riffs in rock history are as immediately recognisable as the opening of "T.N.T." by AC/DC. Angus Young builds the whole thing from a stripped-back E-based figure that sits right in the pocket of the low strings, making it a perfect study in how much attitude you can squeeze out of very few notes. The riff lives and breathes in E major, so open strings do a lot of the work, and getting the right hand-muting tight is what separates a convincing version from a sloppy one. The rhythmic feel is the real challenge: that lurching, swaggering groove requires you to stay locked with the kick drum rather than rushing ahead. If the muted chug between chord stabs keeps slipping, use the Practice Toolbar to loop that section slowed down until the right-hand pattern feels automatic. The chord transitions themselves are not complicated, but matching the raw, punchy tone and attack is where beginners will spend the most time.

  • The main riff is built around open-E and A-string power chords, making it very approachable for players who have basic chord shapes under their fingers.
  • Right-hand palm muting is central to the signature groove, and keeping the muting consistent across tempo is the main technical hurdle to clear.
  • A slightly overdriven tone with the guitar's volume rolled back just a touch helps nail the punchy, dry attack Angus Young uses on the original recording.

How to Play T.N.T.

The song moves through: Intro, Verse 1, Chorus 1, Verse 2, Chorus 2, Guitar Solo, Bridge, Chorus 3, Outro, ???.

Key: E major · Tempo: 145 BPM · Difficulty: Medium

The backbone of this song is Malcolm Young's rhythm part, which uses a small set of moveable power-chord shapes in E, and the challenge is keeping them locked in tight at 145 bpm with consistent pick attack rather than wandering into sloppy strumming. Learn the main riff first, since it recurs throughout and getting it precise and punchy sets the foundation for everything else. Angus Young's solo is relatively short and blues-inflected in E, but nailing its bends and vibrato cleanly takes more work than it looks. A common pitfall is letting the power chords ring too long; Malcolm's style depends on controlled muting between hits, so palm muting between chord stabs is essential to capturing the song's actual feel.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 145 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)