Practice Studio

AC/DC - Hells Bells - Guitar Tab

Sections · Loop · Speed · Metronome

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Key A minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1980 A minor
Capo Advisor 0 A minor · Original key

About Hells Bells


Few album openers hit as hard as "Hells Bells," and the guitar work is a big reason why. The main riff sits in A minor and is built around a dark, mid-tempo groove that rewards feel over speed. Getting it right means locking in with the kick drum and resisting the urge to rush, because the power comes from planting each note with weight and letting the rests breathe. The chord shapes themselves are not complex, but the picking attack and palm muting are where most players fall short. AC/DC have always made rhythm guitar the engine of the band, and this track is a perfect lesson in that philosophy. If the opening riff is slipping, use the Practice Toolbar to loop it at a reduced speed and focus on your right-hand control before bringing the tempo back up. Nail that, and the rest of the song falls into place naturally.

  • The main riff relies heavily on controlled palm muting and a firm picking attack, so right-hand technique is the first thing to get right.
  • Because the tempo is deliberate and mid-paced, any rushing or rushing in the groove becomes immediately obvious, making tight timing the core challenge.
  • Looping the opening riff slowed down with the Practice Toolbar is the most effective way to build the consistent pick attack the part demands.

How to Play Hells Bells

The song moves through: Intro, Verse 1, Pre-Chorus, Chorus, Verse 2, Solo, Outro Solo.

Key: A minor · Tempo: 63 BPM · Difficulty: Medium

Tuned down to Eb standard, the main riff sits in A minor and is deceptively simple in shape but demands tight rhythmic discipline at 63 BPM: every note and rest must land exactly, because the slow tempo leaves nowhere to hide. Begin by locking in the verse riff before tackling the solo, which includes Angus Young's characteristic string bends and pentatonic runs that require clean intonation at this tuned-down pitch. A common pitfall is rushing the riff's syncopated accents, so use the loop and speed controls on the intro and verse sections to internalize the groove before playing along at full tempo.

Loop each section and focus on clean, even timing rather than speed, with the metronome at 63 BPM.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)