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Iron Maiden - The Trooper Pt.3 - First Solo - Guitar Lesson

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Iron Maiden - The Trooper Pt.3 - First Solo - Guitar Lesson

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Iron Maiden - The Trooper Pt.3 - First Solo guitar lesson video
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Piece of Mind (Remastered) album cover
Piece of Mind (Remastered)
1983 4:13
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Iron Maiden Heavy Metal 1983 E minor
Capo Advisor 0 E minor · Original key

The Trooper Pt.3 - First Solo

"The Trooper" by Iron Maiden is a classic track from one of the most influential heavy metal bands in history, founded in 1975. The first solo section is a focused study in the dual-guitar style that defines Iron Maiden's sound, featuring precise melodic phrasing rooted in the new wave of British heavy metal tradition. For electric guitarists, mastering this solo builds essential skills in clean articulation, speed picking, and melodic lead playing within a hard rock context.

  • Iron Maiden was founded in 1975 by bassist Steve Harris, shaping the band's signature twin-guitar approach from the start.
  • The first solo in 'The Trooper' is an excellent entry point for learning Iron Maiden's distinctive melodic lead guitar style.
  • Dave Murray was among the original guitarists on Iron Maiden's 1980 self-titled debut, establishing the band's iconic lead tone.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

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