Bullet For My Valentine - Tears Don't Fall - Guitar Lesson

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Bullet For My Valentine - Tears Don't Fall - Guitar Lesson

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Classic Rock

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The Poison album cover
The Poison
2006 5:48
Capo Advisor 0 C# minor · Original key

Tears Don't Fall


"Tears Don't Fall" is a heavy metal track by Welsh band Bullet for My Valentine, released as the fourth single from their debut full-length album, The Poison, in June 2006. It won the Kerrang! Award for Best Single and charted on both the Hot Mainstream Rock and Alternative Rock charts. For electric guitarists, the song is a strong introduction to the dual-guitar interplay, palm-muted riffing, and melodic lead work that define Bullet for My Valentine's signature sound.

  • The song runs approximately 5 minutes and 48 seconds, giving guitarists extended riff and lead sections to study and practice.
  • It won the Kerrang! Award for Best Single, recognizing its impact on the early-2000s heavy metal and metalcore scene.
  • A sequel track, also titled "Tears Don't Fall," was released in 2013 on the band's fourth studio album, Temper Temper.
ESP Eclipse
Guitar

ESP Eclipse

ESP's answer to the Les Paul - with tighter construction tolerances and active pickup options. The Eclipse's set-neck mahogany body and active EMG pickups deliver focused, aggressive tone ideal for metal and hard rock.

Mesa/Boogie Dual Rectifier
Amp

Mesa/Boogie Dual Rectifier

The benchmark for modern high-gain tone. The Dual Rectifier's massive low-end, compressed saturation and scooped midrange defined the sound of 1990s and 2000s alternative and heavy metal. Tool, System of a Down and countless others.

EMG 81
Pickup

EMG 81

The world's best-selling active humbucker. The EMG 81's ceramic magnet and active preamp deliver a tight, compressed output with searing high-end attack. Essential for metal rhythm playing - James Hetfield's bridge pickup of choice.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

The noise gate of choice for high-gain players. The Decimator's tracking algorithm kills hum and hiss between notes without clamping down on sustain - essential when using multiple high-gain pedals or amps.

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