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Ozzy Osbourne - No More Tears - Guitar Lesson

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Ozzy Osbourne - No More Tears - Guitar Lesson

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Ozzy Osbourne - No More Tears guitar lesson video
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No More Tears (Expanded Edition) album cover
No More Tears (Expanded Edition)
1991 7:25
Listen on Spotify
Ozzy Osbourne Heavy Metal 1991 E minor
Capo Advisor 0 E minor · Original key

No More Tears

"No More Tears" is the title track from Ozzy Osbourne's 1991 album of the same name. The song reached number five on the U.S. Mainstream Rock Tracks chart, cementing its place as one of Osbourne's signature tracks of the era. Its heavy, brooding riff work and dynamic structure make it a rewarding challenge for electric guitarists looking to explore early-90s hard rock and metal techniques.

  • The song peaked at number 5 on the U.S. Mainstream Rock Tracks chart, showing its strong commercial impact.
  • "No More Tears" is the fifth track on its parent album, placing it at the heart of the record's sequencing.
  • The track charted internationally, reaching number 16 in the Netherlands and number 32 on the UK Singles Chart.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Slash's Les Paul Standard on 'Ordinary Man' delivers Ozzy's signature thick, warm sustain through its mahogany body and set neck. The guitar's natural resonance cuts through a cranked Marshall while maintaining the heavy, blues-rooted tone that defines modern Ozzy records.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Randy Rhoads and Zakk Wylde both relied on the Les Paul Custom's thick mahogany construction and PAF-style humbuckers for sustained, focused leads that pierce through Marshall saturation. The Custom's weight and warmth became sonic anchors for Ozzy's most iconic guitar tones across decades.

Marshall JCM800
Amp

Marshall JCM800

Zakk Wylde dimed the JCM800 2203 for maximum crunch and tight low-end response, making it the backbone of modern Ozzy heaviness. The amp's aggressive gain structure and natural breakup at volume deliver the roaring, sustained tone perfect for pinch harmonics and heavy riffing.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Randy Rhoads' modified 1959 Super Lead Plexi delivered natural tube saturation with a tight, focused midrange that allowed his fast runs and solos to cut through with clarity. The Plexi's simple, responsive design meant tone came directly from his fingers and Les Paul into the amp.

EMG 81
Pickup

EMG 81

Zakk Wylde's bridge position EMG 81 provides high output and compressed sustain essential for heavy riffing and pinch harmonics that define modern Ozzy songs. The active humbucker's tight low-end response couples perfectly with a dimed Marshall JCM800 for maximum aggression.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Randy Rhoads and Zakk Wylde both used the Cry Baby wah to add expressive texture to leads without cluttering their core Marshall-driven tone. The wah's responsive sweep enhanced their solos while remaining secondary to the raw tube amp saturation that defines Ozzy's sound.

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