Practice Studio

Avenged Sevenfold - Hail To The King - Famous Riffs - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

About Hail To The King - Famous Riffs


The title track from Avenged Sevenfold's 2013 record sits in Eb Standard tuning, so drop everything down a half step before you play a single note. At 120 BPM in E minor, the famous riff has a mid-paced, stomping feel that rewards a firm, deliberate pick attack rather than speed. The signature phrase leans heavily on power chords and a repeating single-note motif that sounds deceptively simple but loses its punch quickly if your timing drifts. Getting that locked-in, mechanical groove is the real challenge here, and the Practice Toolbar is exactly where you want to spend time: loop the main riff slowed down until every chord change lands exactly on the beat without rushing. The Heavy Metal context also means your muting needs to be tight. Sloppy palm muting will muddy the riff considerably, so treat each rest as deliberately as each note.

  • The song uses Eb Standard tuning, meaning every string is tuned a half step down from standard, which slightly thickens the overall tone.
  • At 120 BPM the main riff is mid-paced, making tight palm muting and consistent pick attack more critical than raw speed.
  • The signature riff combines power chords with a repeating single-note motif in E minor, a good exercise in rhythmic precision and clean muting.

How to Play Hail To The King - Famous Riffs

Tuning: Eb Standard · Key: E minor · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Zacky Vengeance pairs the JCM800 with his Schecter for a grittier, more classic crunch on rhythm duties, cutting through the mix with natural breakup without relying solely on high-gain saturation.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Synyster Gates uses this wah to add expressive dynamics to his lead passages, allowing him to shape the midrange of his high-output bridge pickup for singing, vocal-like solo tones.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

The ISP Decimator tames the high-gain hum inherent to Avenged Sevenfold's aggressive drop-tuned rhythms and sustain-heavy leads, keeping the signal clean without sacrificing the thick distortion tone.

MXR Carbon Copy Analog Delay
Pedal

MXR Carbon Copy Analog Delay

Synyster Gates deploys this analog delay to add ambience and spaciousness to his solos, complementing his Sustainiac-driven feedback passages with lush, tape-like modulation for dynamic lead work.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)