The Beatles - Here Comes The Sun Pt.2 - Interlude & Ending - Guitar Lesson

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The Beatles - Here Comes The Sun Pt.2 - Interlude & Ending - Guitar Lesson

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Here Comes The Sun Pt.2 - Interlude & Ending


"Here Comes The Sun Pt.2 - Interlude & Ending" by The Beatles is an extension of George Harrison's iconic composition, offering guitarists a deeper look into the harmonic and melodic ideas woven through the original. The piece serves as both an interlude and a closing passage, making it an interesting study in arrangement and tone. For electric guitar players, exploring this track provides insight into Harrison's distinctive fingerpicking style and use of melodic phrasing within a band context.

  • George Harrison was the primary composer behind the 'Here Comes The Sun' suite, showcasing his growth as a melodic guitar writer.
  • The interlude and ending format gives guitarists a chance to study transitional phrasing and how to close a musical idea effectively.
  • Harrison often blended acoustic sensibility with electric tone, making this track a useful bridge between both playing styles.
Fender Stratocaster
Guitar

Fender Stratocaster

George Harrison's sonic blue 1961 Stratocaster delivered the ice-pick treble leads on Rubber Soul sessions, its standard Fender single-coils cutting through the mix with brilliant clarity. The Strat's bright tone contrasted beautifully with the warm Filter'Trons of his Gretsch guitars, expanding The Beatles' textural range.

Fender Telecaster
Guitar

Fender Telecaster

Harrison's rosewood Telecaster provided twangy, biting cleans during the iconic 1969 rooftop concert, its simplicity and directness fitting The Beatles' stripped-down live approach. The Tele's sharp attack complemented the Vox AC30, delivering punchy midrange definition without the need for studio processing.

Vox AC30
Amp

Vox AC30

The Vox AC30 with top-boost was the sonic foundation of The Beatles' signature chime, delivering harmonically rich cleans with natural compression when pushed at moderate volume. Close-miked in Abbey Road studios from 1962 through 1965, it captured clarity and presence that defined their recorded tone without excessive breakup.