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The Beatles - Here Comes The Sun - Interlude & Ending - Guitar Lesson

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The Beatles - Here Comes The Sun - Interlude & Ending - Guitar Lesson

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The Beatles - Here Comes The Sun - Interlude & Ending guitar lesson video
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Here Comes The Sun - Interlude & Ending

"Here Comes The Sun - Interlude & Ending" is a segment from The Beatles' iconic song written by George Harrison. The Beatles, formed in Liverpool in 1960, are widely regarded as the most influential band in rock history. This interlude and ending section offers guitarists a focused look at Harrison's melodic phrasing and fingerpicking style, making it a rewarding study piece for players looking to explore his distinctive acoustic and electric guitar techniques.

  • George Harrison wrote the original song, showcasing his skill as a melodic guitarist often overshadowed by Lennon-McCartney's songwriting dominance.
  • The Beatles formed in Liverpool in 1960 with Lennon, McCartney, Harrison, and Starr, four distinct musical personalities shaping their sound.
  • Studying isolated sections like this interlude helps guitarists break down Harrison's chord voicings and transition techniques in manageable detail.
Fender Stratocaster
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Fender Stratocaster

George Harrison's sonic blue 1961 Stratocaster delivered the ice-pick treble leads on Rubber Soul sessions, its standard Fender single-coils cutting through the mix with brilliant clarity. The Strat's bright tone contrasted beautifully with the warm Filter'Trons of his Gretsch guitars, expanding The Beatles' textural range.

Fender Telecaster
Guitar

Fender Telecaster

Harrison's rosewood Telecaster provided twangy, biting cleans during the iconic 1969 rooftop concert, its simplicity and directness fitting The Beatles' stripped-down live approach. The Tele's sharp attack complemented the Vox AC30, delivering punchy midrange definition without the need for studio processing.

Vox AC30
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Vox AC30

The Vox AC30 with top-boost was the sonic foundation of The Beatles' signature chime, delivering harmonically rich cleans with natural compression when pushed at moderate volume. Close-miked in Abbey Road studios from 1962 through 1965, it captured clarity and presence that defined their recorded tone without excessive breakup.

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