Practice Studio

Slayer - Raining Blood - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Slayer Thrash Metal E minor
Capo Advisor 0 E minor · Original key

About Raining Blood


Few songs in Thrash Metal have demanded as much from a rhythm guitarist as "Raining Blood." The opening section alone, with its slow, dissonant tremolo-picked chords creeping in over artificial rain, sets a tone that requires real control of pick attack and muting before the tempo even kicks in. When the main riff hits, you are dealing with 217 BPM in Eb Standard tuning, which means your picking hand needs to stay absolutely locked in while your fretting hand navigates the angular, chromatic phrases that Slayer built around E minor. The chord shapes are not complex on paper, but at full speed they punish any sloppiness in synchronisation between both hands. The breakdown riff that arrives before the final storm is a particular challenge: a lurching, syncopated figure that sits awkwardly until it suddenly clicks. Use the Practice Toolbar to loop that section slowed down until the rhythm feels natural, then gradually push the tempo back up.

  • The song is played in Eb Standard tuning, dropping all strings a half-step, which slightly loosens string tension and affects the overall feel of the picking attack.
  • At 217 BPM, the main riff relies on alternate picking stamina, and clean string separation at full speed is the primary technical challenge for most players.
  • The opening section uses slow, dissonant tremolo-picked chords, making pick-angle consistency and controlled muting just as important as raw speed in this song.

How to Play Raining Blood

Tuning: Eb Standard · Key: E minor · Tempo: 217 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. At 217 bpm it moves fast, so the real test is building picking stamina and keeping every note clean at speed.

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 217 BPM.

Marshall JCM800
Amp

Marshall JCM800

Kerry King and Jeff Hanneman relied on the JCM800's raw, scooped-mid aggression cranked to extreme volumes to achieve Slayer's signature saturated tone without overdrive pedals. The amp's natural power tube saturation is essential to their pure, unprocessed rhythm and lead attacks.

EMG 81
Pickup

EMG 81

The EMG 81's high-output, compressed tone with cutting highs delivers the tight, aggressive attack that defines Slayer's palm-muted riffs and solos. Its hot signal keeps the cranked Marshall in full saturation while eliminating noise at extreme gain levels.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Kerry King uses the Cry Baby wah as his only regular effect pedal, adding expressive chaos and intensity to his trademark chaotic solos over otherwise unprocessed, pure Marshall saturation.

DigiTech Whammy
Pedal

DigiTech Whammy

Not part of Slayer's core tone. King's whammy effects come from intentionally detuning non-locking tremolo systems on his B.C. Rich guitars, not digital pedal-based pitch shifting.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)