Practice Studio

Queen - These Are The Days of Our Lives - Guitar Lesson

Sections · Loop · Speed · Metronome

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Tools

BPM
Key C major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Innuendo album cover
Innuendo
1991 4:15
Queen Pop Rock 1991 C major
Capo Advisor 0 C major · Original key

About These Are The Days of Our Lives


At 72 BPM in C major and standard E tuning, this gentle Queen ballad from the 1991 album Innuendo sits in a comfortable range for intermediate players, but its emotional weight comes from touch and restraint rather than speed or complexity. The guitar work rewards players who can keep a clean, even fingerpicking or arpeggiated strum pattern flowing softly beneath the melody, never crowding the vocal. Getting that light, unhurried feel right takes more concentration than it first appears: the temptation is to push the tempo, but the song breathes at exactly 72 BPM for a reason. Focus on your right-hand dynamics and make sure chord transitions stay smooth and quiet. The chord progressions are accessible for Pop Rock playing in general, making this a good piece for working on expressive, controlled strumming. Use the Practice Toolbar to loop any transition slowed down until muscle memory takes over before bringing it back to full tempo.

  • The song sits at 72 BPM in C major with standard E tuning, so no retuning is needed and chord shapes stay in familiar open-position territory.
  • The main guitar challenge is maintaining a soft, consistent touch throughout, as the arrangement calls for restrained dynamics rather than any demanding technical passages.
  • Practise chord transitions at reduced speed using looping it slowed down, then gradually raise the tempo until the unhurried, flowing feel becomes natural.

How to Play These Are The Days of Our Lives

Tuning: E Standard · Key: C major · Tempo: 72 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 72 BPM.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)