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Judas Priest - Electric Eye - Guitar Lesson

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Key E minor
Judas Priest - Electric Eye guitar lesson video
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Classic Rock

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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Screaming For Vengeance (Expanded Edition) album cover
Screaming For Vengeance (Expanded Edition)
1982 3:42
Listen on Spotify
Judas Priest Heavy Metal 1982 E minor
Capo Advisor 0 E minor · Original key

About Electric Eye

Few riffs in Heavy Metal are as immediately recognisable as the one that kicks off "Electric Eye." The opening guitar figure is built on a tight, palm-muted low-E pedal tone that locks in with the drums, and getting that mechanical, locked-in feel is the real challenge, not the notes themselves. At 120 BPM in E minor on standard tuning, the tempo is approachable, but the precision required to keep the palm muting consistent through the verse riff is easy to underestimate. Judas Priest layer the arrangement with a second guitar adding power chords and lead fills on top, so there is plenty to work on once you have the main riff clean. The lead sections demand confident string bending and vibrato in the upper positions. Use the Practice Toolbar to loop any of those lead phrases slowed down until the bends land in tune every time. Focus on right-hand muting control before worrying about speed.

  • The signature riff relies on strict palm muting on the low E string, so right-hand consistency is the first thing to get under control.
  • The song sits in E minor in standard tuning at 120 BPM, making the tempo manageable while still demanding tight rhythmic precision.
  • Lead guitar phrases require accurate string bends and sustained vibrato in the upper fret positions, worth isolating with a slow loop.

How to Play Electric Eye

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Flying V
Guitar

Gibson Flying V

Richie Faulkner's weapon of choice, the Flying V's aggressive body shape matches Judas Priest's metal aesthetic while its mahogany construction and fast neck enable his lead-heavy playing style. The V's natural sustain and tonal balance cut through stadium mixes with the same clarity that defines modern Priest.

Marshall JCM800
Amp

Marshall JCM800

Glenn Tipton's signature tone comes from cranking the JCM800's preamp to 7-8 for tight, aggressive crunch that retains note clarity even at extreme volumes. The JCM800's midrange-forward character is essential to Priest's riffs cutting through, unlike thrash bands that scoop mids.

Mesa/Boogie Dual Rectifier
Amp

Mesa/Boogie Dual Rectifier

Both Tipton and Downing added Dual Rectifiers to their rigs for added low-end thickness on rhythm parts, complementing the Marshall's midrange presence. The Rectifier's thick saturation anchors Priest's heavier sections without sacrificing articulation.

EMG 81
Pickup

EMG 81

Glenn Tipton's bridge pickup of choice since the mid-1980s, the EMG 81 delivers razor-sharp metal tone with controlled low-end and noise-free operation at high gain. Its tight, compressed attack is crucial for Priest's precise riffing and solos that demand clarity.

Seymour Duncan JB
Pickup

Seymour Duncan JB

A key component of Judas Priest's pre-1984 'British Steel' and 'Screaming for Vengeance' era tone, the JB's medium-hot output provides vintage aggression without the compressed attack of active pickups. This humbucker captures the raw, organic sustain that defined early Priest lead work.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

The Super Distortion bridges the gap between vintage and modern Priest sounds, offering hot output for aggressive leads while maintaining the midrange clarity that makes Priest's twin-guitar harmonies cut through live. It's the ideal passive alternative for recreating classic Priest tones.

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