Practice Studio

Avenged Sevenfold - Bat Country - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key F# minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

City of Evil album cover
City of Evil
2005 5:12
Capo Advisor 0 F# minor · Original key

About Bat Country


Few songs from 2005 pack as much guitar work into one track as "Bat Country" by Avenged Sevenfold. Tuned down to Eb Standard and sitting in F# minor at 120 BPM, the song demands both precision rhythm playing and fluid lead technique across its runtime. The opening lead melody is the first real test: it needs a clean, singing tone and accurate bends that lock tightly to the pulse before the full band crashes in. Synyster Gates layers intricate heavy metal lead lines over crunching rhythm work, so if you are tackling both parts, expect to spend serious time separating them and drilling each one independently. The solo sections are where most players will hit a wall, combining sweep picking ideas with fast alternate-picked runs. Use the Practice Toolbar to isolate any of those passages, loop them slowed down until the picking hand and fretting hand are genuinely in sync, then gradually raise the tempo back to 120 BPM.

  • The song is tuned to Eb Standard, so drop all six strings one semitone before you start or the bends and unison lines will sit in the wrong place.
  • The solo sections combine sweep-picked arpeggios with alternate-picked scalar runs, making them a good targeted workout for right-hand pick control.
  • Rhythm parts rely on tight palm-muted chugging in F# minor, so locking your picking hand to a metronome at 120 BPM is the essential first step.

How to Play Bat Country

Tuning: Eb Standard · Key: F# minor · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Marshall JCM800
Amp

Marshall JCM800

Zacky Vengeance pairs the JCM800 with his Schecter for a grittier, more classic crunch on rhythm duties, cutting through the mix with natural breakup without relying solely on high-gain saturation.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Synyster Gates uses this wah to add expressive dynamics to his lead passages, allowing him to shape the midrange of his high-output bridge pickup for singing, vocal-like solo tones.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

The ISP Decimator tames the high-gain hum inherent to Avenged Sevenfold's aggressive drop-tuned rhythms and sustain-heavy leads, keeping the signal clean without sacrificing the thick distortion tone.

MXR Carbon Copy Analog Delay
Pedal

MXR Carbon Copy Analog Delay

Synyster Gates deploys this analog delay to add ambience and spaciousness to his solos, complementing his Sustainiac-driven feedback passages with lush, tape-like modulation for dynamic lead work.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)