UFO - Rock Bottom - Guitar Tab

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UFO - Rock Bottom - Guitar Tab

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Key E minor
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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UFO Hard Rock E minor
Capo Advisor 0 E minor · Original key

Rock Bottom


"Rock Bottom" is a track by English rock band UFO, featured on their 1974 album Phenomenon. The album marked the debut of German guitarist Michael Schenker, whose melodic yet aggressive playing style became central to UFO's sound. For electric guitar players, "Rock Bottom" is a essential study in Schenker's signature lead work, blending expressive bends, controlled vibrato, and dynamic soloing that influenced generations of hard rock guitarists.

  • Michael Schenker joined UFO for Phenomenon in 1974, replacing guitarist Mick Bolton and transforming the band's sound.
  • Schenker's lead guitar style on this track is widely studied for its melodic phrasing and emotional use of vibrato.
  • Phenomenon was UFO's third studio album, marking a clear turning point toward the harder rock direction they became known for.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Paul Chapman wielded this guitar after replacing Schenker, using its stock humbuckers to create a thicker, heavier tone that distinguished UFO's later era sound. The Les Paul's weight and sustain complemented Chapman's more aggressive approach compared to Schenker's finesse-based playing style.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While less documented than Chapman's Standards, the Les Paul Custom offered similar thick humbucker tones and premium construction for UFO's heavier material, maintaining the dense, powerful sound Chapman brought to the band.

Gibson Flying V
Guitar

Gibson Flying V

Michael Schenker's iconic stripped natural-wood and later black-and-white split-finish Flying Vs became UFO's visual and sonic signature, with PAF-style humbuckers delivering the touch-sensitive, singing lead tones that defined his expressive playing style.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Schenker's primary effect for crafting UFO's soaring lead passages, the Cry Baby wah allowed expressive control over his Marshall's warm breakup, turning simple solos into dramatic vocal-like statements as heard in live classics like 'Rock Bottom.'