Practice Studio

UFO - High Flyer - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

UFO Hard Rock E minor
Capo Advisor 0 E minor · Original key

About High Flyer


At 120 BPM in E minor, "High Flyer" sits in that mid-tempo pocket where UFO really shine: riffs that feel deceptively simple but demand a locked, controlled right hand to keep the groove from dragging. E Standard tuning means nothing exotic to set up, but the key of E minor rewards players who know their pentatonic and natural minor positions cold, since the lead work lives in those shapes throughout. The central riff is the first thing to nail down, and it is worth isolating the picking attack here because sloppy alternate picking will muddy it at full tempo. This is Hard Rock rooted in the late seventies British tradition, so the tone should be on the crunchier side without going fully saturated. Use the Practice Toolbar to loop the main riff slowed down until your pick attack is even on every note, then gradually bring the tempo back up to 120 BPM before moving on to the solo passages.

  • The song sits in E minor and E Standard tuning, so no retuning is needed and all standard scale shapes apply directly.
  • At 120 BPM the riff sits in a mid-tempo pocket that exposes uneven picking, making consistent alternate picking technique the key practice focus.
  • The late-seventies hard-rock feel calls for a crunchy, moderately gained tone rather than a heavily saturated modern distortion sound.

How to Play High Flyer

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Paul Chapman wielded this guitar after replacing Schenker, using its stock humbuckers to create a thicker, heavier tone that distinguished UFO's later era sound. The Les Paul's weight and sustain complemented Chapman's more aggressive approach compared to Schenker's finesse-based playing style.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While less documented than Chapman's Standards, the Les Paul Custom offered similar thick humbucker tones and premium construction for UFO's heavier material, maintaining the dense, powerful sound Chapman brought to the band.

Gibson Flying V
Guitar

Gibson Flying V

Michael Schenker's iconic stripped natural-wood and later black-and-white split-finish Flying Vs became UFO's visual and sonic signature, with PAF-style humbuckers delivering the touch-sensitive, singing lead tones that defined his expressive playing style.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Schenker's primary effect for crafting UFO's soaring lead passages, the Cry Baby wah allowed expressive control over his Marshall's warm breakup, turning simple solos into dramatic vocal-like statements as heard in live classics like 'Rock Bottom.'

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)