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Skid Row - Wasted Time - Guitar Tab

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Skid Row - Wasted Time - Guitar Tab

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Skid Row - Wasted Time guitar tab video
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Slave to the Grind album cover
Slave to the Grind
1991 5:49
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Skid Row Hard Rock 1991 E minor
Capo Advisor 0 E minor · Original key

Wasted Time

"Wasted Time" is a power ballad by Skid Row, released in 1991 as the third single from their second album, Slave to the Grind. Written by Sebastian Bach, Rachel Bolan, and Dave Sabo, the track blends melodic clean tones with hard rock intensity, making it a rewarding study in dynamic guitar playing. Its contrast between restrained verses and emotionally driven passages offers electric guitarists a strong example of expressive, song-serving technique.

  • The song was co-written by guitarist Dave 'the Snake' Sabo, whose melodic sensibility shapes its distinctive guitar parts throughout.
  • "Wasted Time" was Skid Row's last song to chart on the US Billboard Hot 100, closing out a strong run of singles.
  • Released from Slave to the Grind (1991), the track showcases the softer, more dynamic side of Skid Row's otherwise hard-driving second album.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Sabo deployed the Les Paul's thick, woody sustain on Skid Row's heaviest tracks, using the guitar's body mass to add low-end punch to power chords. The Les Paul's stock humbuckers pushed his Marshall into aggressive saturation while maintaining the articulate crunch that defines their sound.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Custom's premium build and tonal thickness gave Sabo an alternative for ballad work and heavier material, offering darker midrange warmth than his signature Charvels. This guitar's resonance complemented the Marshall JCM900's natural tube compression for their most saturated, body-forward tones.

Marshall JCM800
Amp

Marshall JCM800

The JCM800's hot preamp became the sonic backbone of Skid Row's crunch, delivering that tight, compressed saturation when cranked that defined hits like 'Youth Gone Wild.' Paired with 4x12 cabs loaded with Greenbacks or Vintage 30s, it produced the articulate yet aggressive tone essential to their hard rock identity.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Sabo used the Cry Baby's expressive sweep on solo passages to add human, vocal-like character to leads, especially during extended guitar moments. The wah's responsive filtering complemented his bridge humbucker's output, letting him shape aggressive yet dynamic solo accents.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

The DD-3's short slapback repeats provided subtle space and dimension to Skid Row's lead work without muddying the amp-driven tone. Set for tight repeats rather than spacious trails, it added polish to solos while keeping the focus on the Marshall's natural tube saturation and pick articulation.

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